"Like a Breeze," "Growing Old with You," "When We Grow Up," "Chasing Dreams," "Crossing That Bridge Together," "Holding Hands," and so on.
Anyway, just lean everything toward youth, whispered sweet nothings, passionate abandon, and deep affection.
As for the novel, Su Qiao and Little Four disagreed.
Little Four insisted on publishing a passionate martial-arts novel, while Su Qiao wanted something more realistic—a novel similar to The First Half of My Life.
She changed the female lead's identity, making her a sheltered woman who had been steeped in traditional culture since childhood.
Gentle and virtuous, filial to her parents-in-law, managing the household, taking her husband as her guiding principle, and bearing him children—only to become a victim in the struggle between new ideas and feudal ethics.
Her husband drove her out of the house, forcing her into a world that was "strange and frightening" to her.
She wandered from place to place with her daughter, enduring all kinds of humiliation and hardship before finally growing strong, making a comeback, and regaining happiness.
Su Qiao believed the novel was especially relevant to this era, when old and new ideas were replacing each other.
It could criticize those whose twisted view of love was that "everything else should give way for love."
At the same time, it could encourage women with similar experiences to regain their confidence and stand on their own feet.
As the saying went, being strong oneself was true strength.
That had always been Su Qiao's creed.
The woman and the system remained deadlocked, and in the end, they decided to publish both pieces.
444 was determined to beat its host, so it worked especially enthusiastically on revising and organizing the manuscripts.
By the time Su Qiao woke up the next day, it had already finished proofreading.
Su Qiao looked