Dad, Please Let Me Solo Push!

With this article, I present a million love letters to the High Immortal.

Book Title: Regarding Whether a Thousand Lives Are Enough to Clear This Game of Collapse

Volume 1: 34. Go Become the Most Radiant Idol in Great Xia.

Chu Yuanqing trained silently and diligently, completing another set of flexibility exercises. She took a deep breath, feeling the trembling and soreness in her waist, hips, and leg muscles. Adjusting her breathing rhythm, she stood up, finishing her warm-up.

Dance was indeed a completely new field for her.

However, the training and tempering of the body were so familiar to her, who had experienced hellish physical training, that it was impossible to be more familiar.

She could rely on instinct alone to gauge her body's limits and endurance, stopping at the optimal point to prevent actual injury.

This was what Wujian Miyoshi considered "talent."

As for the pain and tearing sensation during the process of developing her body, it was the least worth mentioning of the difficulties.

After all, not to mention the millions of deaths accumulated throughout her savior career, the curse of the Sea of Truth that lasted for 17 years was a hundred million times more painful.

Chu Yuanqing adjusted her breathing, her nostrils flaring. With her eyes lowered, she wiped away sweat with a towel and looked at Wujian Miyoshi, barely suppressing the urge to run away, feeling like crying without tears.

This former idol, who used to fall like a penguin, now had a serious and earnest expression on her beautiful and pure face. Glimpses of anticipation and nostalgia could occasionally be seen in her eyes, presenting a demeanor of taking responsibility to the end.

Chu Yuanqing hesitated, swallowing the suggestion to "bail" immediately. She sadly pursed her lips and asked:

"...What do we learn next?"

Wujian Miyoshi thought seriously and replied:

"Let's start with isolation."

If flexibility exercises were the foundation of dance itself, Then isolation was one of the elements of dance. It referred to the separation of different body parts, including the head, shoulders, chest, and hips, allowing them to move independently in different directions or in circles.

Because many pop dances incorporated this type of element, practicing isolation was essential.

Even if the theme song dance they would later decide on didn't include any isolation elements, if she wanted to continue on the path of being an idol, it was a step she would eventually have to face.

Chu Wangshu blinked her eyes like a mascot, handing over towels and mineral water from the side.

It couldn't be helped. Anyone could teach flexibility exercises, but Chu Yuanqing seemed to require no guidance, making no mistakes by relying purely on instinct.

As for the isolation Wujian Miyoshi wanted to teach, it fell into her knowledge blind spot.

The ethnic dances Chu Wangshu learned focused more on refining the basics and embodying inner culture.

For example, the Great Xia dance category favored the pursuit of yin and yang, externalizing traditional culture. Movements like "counter-force" or "moving left after intending right" all reflected cultural depth.

Her previous performance of Five Poisons also clearly had regional cultural characteristics.

The techniques and foundations honed by these dances were "body charm" (shenyun), which had nothing to do with isolation.

But unfortunately, the entry difficulty for body charm was far higher than jazz dance, and it appeared less frequently in idol group dances. It was a type of skill that was definitely useful if learned, but yielded smaller short-term benefits.

For Chu Yuanqing's current situation, learning the basics of isolation elements was undoubtedly the most cost-effective choice.

Therefore, not only could she not be a little teacher, but to avoid encountering obstacles later, she had to be demoted to a student like Chu Yuanqing, carefully listening to the instructions of a certain "cherry blossom girl."

That being said.

Ethnic dance and jazz dance were, after all, both dances, and their basic skills had some commonalities. For example, some points that were difficult for beginners to grasp were easily understood by those with prior experience.

This advantage was the result of accumulated experience.

Chu Wangshu simply regretted not being able to be a teacher.

Perhaps it was a strange synesthesia between father and daughter, but she inexplicably felt that being superior to the other person in status would be very satisfying.

The young girl chattered, explaining all this to Chu Yuanqing, feeling a sense of melancholy like being in a three-person movie but only seeing two people holding hands.

Chu Yuanqing listened very attentively. She was the type of person who, regardless of interest, found it difficult to be perfunctory when faced with a task. She asked:

"Then to what extent does one need to practice flexibility exercises to be considered proficient?"

Wujian Miyoshi thought for a moment and described:

"Probably until you can do a 180-degree split (both side and front), grab your toes when lifting your leg backward, grab your shoulder when kicking or lifting your leg, and grab your heels while standing and bending backward with your feet flexed. Your flexibility should be about there."

"However, even at this stage, you still need to maintain your practice."

Chu Yuanqing was speechless. Just imagining herself performing such movements evoked a surging sense of shame that fueled a strong desire to leave this beautiful world immediately.

Damn it, would she really end up posing like that one day?

That would be too strange!

Even though she had endured the pain and shame of developing her body in front of her daughter, which was like a hellish ordeal, that level was still unacceptable.

After all, her habits and cognition as a male did not allow her to openly display feminine grace in public.

This could be seen from her choice to learn street dance rather than a program that would be easier to get by with.

It could be said that this was the core reason why Chu Yuanqing didn't want to practice dancing.

Unless Chu Yuanqing's self-perception was successfully "corrected" by her new body, achieving true "feminine degradation," similar feelings of shame would continue to arise no matter how many times she tried.

(Some content has been omitted due to content policy conflicts)

For example, sports drinks and nutrient solutions.

These all have the effect of quickly replenishing lost water and energy, relieving fatigue, and improving physical fitness.

Of course, this is a practice room exclusively allocated to A-level contestants, and only they can truly enjoy the full benefits of cutting-edge technology without restraint.

As for the other contestants, B-level also has individually assigned practice rooms, just not as luxurious in specifications and functions. C-level practice rooms are no longer individually assigned; instead, multiple regular practice rooms can be accessed with a card swipe.

D-level and F-level are quite unfortunate. Not only do they not get to experience the black-tech idol training methods, but they also only have one large practice room corresponding to their respective ratings.

It can only be said that as the rating drops, the training environment also declines drastically in stages.

Although the lowest level isn't exactly shabby, everything fears comparison. Everyone is a competitor in the same survival show, yet purely due to the difference in ratings, a cliff-like class distinction is immediately formed.

Who can calmly accept this?

Flash Dance has been manufactured into a micro-society where status is simply divided by A, B, C, D, and F, vividly portraying the gap between the upper and lower tiers.

Chu Yuanqing, as a connected person brought into the high-end practice room by an A-level contestant, could detect extremely complex emotions in the eyes of passing contestants as soon as she stepped out of the card-access portal with her daughter.

Envy, jealousy, disdain, disgust, and even the ambition to replace them.

Wumijian Yayo is a pure idol, but after achieving A-level, she has inadvertently become the vortex itself.

Whether it's some contestants who are about to be eliminated or those in the middle tier with no hope of debuting, if they can successfully enter Wumijian Yayo's circle, they have a chance to break the deadlock.

-- Maliciously tying themselves to others through acting, creating fan pairings to leech off their popularity.

-- Trying to interact with the other person as much as possible to gain some camera time.

-- Using high-end practice rooms and even obtaining advanced permissions for the virtual reality system.

These actions, with varying low standards and impure goals, can all help them move up a level.

Even though other A-level contestants, compared to Wumijian Yayo, who hails from the island nation and is not well-known, are more popular and have no national barriers, making them better targets, there are too many people and too few opportunities. Consequently, some people can't help but make a move on her.

Like now.

After a slight shift in their gazes, some trainees, as if by unspoken agreement, began to stir restlessly.