When artists copied famous paintings, they often covered the original with a grid, then drew the same grid on their own paper, breaking a complicated painting into a number of relatively simple squares to ensure the copy resembled it as closely as possible. This technique was often called the grid drawing method. Some more traditional artists looked down on it, but young artists basically all had to learn it.
As a professionally trained artist of the new generation, Sui Xiong had naturally learned the grid drawing method, and had become quite proficient at it. So once he had those coordinates, a sweep of his gaze across the divine kingdom quickly revealed the location they indicated.
To be honest, he did not know what would be there, but he would bet that it was definitely something very good.
A chief god had absolute control over subordinate gods. If the Lord of Mysteries had been unwilling, the God of Arts could never have had the chance to flee at the last moment. Much less run all the way to Sui Xiong's divine kingdom, Shelter, and, judging by her tone, even prepare to acknowledge Sui Xiong as her chief god—this showed that the Lord of Mysteries had already dissolved their contract and restored her freedom.
The Lord of Mysteries had naturally done this in order to give the God of Arts to Sui Xiong, and the reason for giving her to Sui Xiong was most likely because of Vol.
In terms of divine authority, Vol, the God of Knowledge, was the Lord of Mysteries' nemesis. The Lord of Mysteries had fused "mystery" and "knowledge" together to form the divine authority of "mysteries," but now "knowledge" had become independent and was continuously growing stronger. Given enough time, that divine authority would sooner or later