Perhaps because she was a deity associated with Venus, Quetzalcoatl's human form looked somewhat feminine. Perhaps it was due to the influence of the stars.
In fact, aside from her, most deities representing Venus in various pantheons were goddesses—such as Ishtar of the Mesopotamian Pantheon, Aphrodite, Ye Ting's goddess of love, and even the eastern Taibai Venus, who was actually unexpectedly a goddess—Journey to the West had done untold harm.
After leaving the Americas, Ye Ting lingered over the ocean. Most of the Maori deities there were merely spirits and essences. It was not until he reached India that Ye Ting finally encountered an organized pantheon.
Oh, although Ye Ting had also passed through Kyushu during this journey, he had not entered it. Kyushu was simply too chaotic at the time. The King in Yellow, the giant octopus... Ye Ting thought it best not to involve himself in their brawl with the local gods... The Old Gods he would soon have to face in World of Warcraft were troublesome enough. There was no need to stage a rehearsal of that mess in advance.
Even though he could study foreign secret arts such as Prelati's Spellbook, Seven Secret Earth Scriptures—the original version of Seven Chapters of the Profound Lord—and Book of Xylen, Ye Ting had absolutely no intention of getting involved with them.
Those troublesome fellows were better left for the local gods to deal with.
However, even from that fleeting glimpse, Ye Ting understood why so many powerful immortals would emerge from that land in the future—beings whose overall strength far surpassed that of other regions of Earth in the same era.
It was precisely because the Celestial Court's pantheon was insufficient to resist such chaotic currents that they passed their power on to mortals, even developing immortal-art technology with