Ch. 1261Some People Are Alive, But Already Dead
Key Plot Points and Events
- The group encounters increased police presence due to a disturbance caused by an "old man" targeting the theater troupe.
- They witness a rehearsal of the play "Killer in the Mirror," which involves a knife stabbing scene that seems too real.
- After the rehearsal, they interact with the actress Fumiya Karen, who reveals she was adopted by the troupe's leader, Bandai Suzue, after graduating from high school.
- A mysterious woman, Henmi Mako, implies that Bandai's strictness towards Karen is driven by jealousy and anxiety.
- Fujino contacts his younger brother, Hiroki, to investigate the theater troupe, learning about Karen's past and the drug-related connections of Bandai and Nijikawa Yukio.
Character Developments
- Fumiya Karen: Revealed to be an orphan adopted by Bandai Suzue, with a troubled past involving her older sister, Kitami Renko.
- Bandai Suzue: Portrayed as an overbearing and emotionally unstable leader of the theater troupe, with a history of drug abuse.
- Henmi Mako: Introduced as an actress in the troupe, with a scarred face and a mysterious demeanor.
Significant Themes
- The dark side of the entertainment industry, including drug abuse and exploitation.
- The impact of past traumas on present behavior, as seen in Karen's and Bandai's actions.
- The theme of resurrection or using a dead person's name for influence, hinted at with the "Redbeard Santa Claus" codename.
Character Interactions
- Sonoko offers Karen a job at her family's theater, but Karen declines due to loyalty to Bandai.
- Fujino and Hiroki communicate about the case, with Hiroki providing crucial information about the theater troupe's connections to drugs and Karen's past.
- Karen interacts with the group, revealing her history with Bandai and her feelings about acting.