Whether in World War I or World War II, whether it was the Verdun Meat Grinder or the Battle of Stalingrad, if you could pin down an entire enemy unit with one person and one gun, then you were unquestionably a war hero. That was what Diana understood and pursued.
A frontal battlefield needed power, even stronger firepower. At the same time, everyone had to be made aware of that firepower's strength—or rather, whether it was truly strong did not matter. As long as the other side believed your position could not be broken through, that was enough. This was also Diana's thinking when she designed weapons.
In truth, this Colt Python's lethality was not that exaggerated. If it hit a grown adult, it could blow them apart, but certain shotguns could do that too. Although it had unlimited bullets, reloaded quickly, and was reliable, a machine gun could also manage.
What set this revolver apart from ordinary human firearms was its enormous muzzle flash and noise. The flash was one thing, but that sound could absolutely be called a sonic weapon. It was not only the shooter who would be harmed; everyone nearby would be staggered.
Only now did Schiller realize that this might not have been a byproduct of increasing its power, but something Diana had deliberately added, because what she wanted was precisely this kind of intimidation through a group attack.
Clearly, she and Deathstroke ought to sit at the same table. They were both the sort of people who believed violent deterrence mattered more than violence itself. As long as something looked scary enough, then it already possessed unmatched power.
After realizing this, Schiller did not even want to talk to Diana any further, but unsurprisingly, Deathstroke became interested. As a professional mercenary, his ability to