In fact, so far, Dar es Salaam city's impact on the Brazilian exhibition delegates had mainly come from three things: its high-rise buildings brimming with an ultra-modern aura, the streams of traffic everywhere on its streets, and, lastly, its urban infrastructure.
The main reason was that these three things were the most immediately visible. Perhaps this was also why the Far East Empire in his previous life had loved erecting countless supertall buildings, even producing a mindset that equated a building's height with a city's level of development.
Because the Far East Empire had been overly enamored with this architectural aesthetic, Ernst's aesthetic sense in his previous life had grown weary of it. Even tiny county towns in the Far East Empire, or some unusual little towns, could be packed with high-rises as numerous as hairs on an ox. In such an environment, many cities could only be called utterly devoid of character.
Of course, if foreigners—especially those from European countries or backward nations—set foot in the Far East Empire of his previous life for the first time, they would certainly be greatly shocked.
This was not bragging, but the result of different living environments. Most European cities lacked high-rise buildings, while backward countries, apart from their capitals and a few important cities, simply could not possess such financial resources or capabilities.
It was like people at the start of the twentieth century arriving in New York and seeing a forest of steel and concrete. Without question, such an exaggerated architectural style would make immigrants from Europe and elsewhere involuntarily think, America is so developed.
The Brazilians in the car behind were far more uninhibited than Pereira in the car ahead. They heatedly discussed the novel sights of Dar es Salaam city.
"Yodeler, you're German too. What do you think