In Lord of Zhanhe's writing, the Ancient God "Mei," as well as "Dawn"—the first New God, the "God of Dawn," later known as the "Lord of Dawn"—served only as threads connecting distant eras.
Although it also offered in-depth explanations of matters such as the "Six Heavens God Calamity" and the "path to godhood," this "depth" was only relative to those with comparatively shallow understanding.
In terms of proportion, the text focused more on "Magnetic Light Mica."
The "Electric Light Text" identified "Magnetic Light Mica" as "an experimental platform of the Ancient Gods."
More precisely, during the early days of the "god-human relationship," when the Abyssal Spirit Net had only just taken shape and Ancient Gods could barely communicate with Genetic Species, it was an experimental platform where Ancient Gods attempted to use "Fantasy Species" to fill the intermediate ecological niche and study the cognitive and faith-power effects of higher Genetic Species.
As everyone knew, the achievements of the "New Gods" were closely tied to the growth and evolution of "Fantasy Species," while the emergence of "Magnetic Light Mica" was a crucial juncture in the transformation of the Fantasy Species route into the New God route.
Beginning with "Magnetic Light Mica," the gathering and distortion of Genetic Species' cognition and faith power became a complete process of "energy accumulation," eventually shifting toward the transformation and evolution of living beings themselves, thus opening the path of New God growth.
From this perspective, Martial Emperor was right:
"Magnetic Light Mica" could be regarded as a crude version of the "Faith" route, as one of the "leading stars" of the "Dream Theater."
Ronan's earlier suggestion to Zhang Yingying had in fact followed this logic: the growth interactions between "Fantasy Species" and "Genetic Species."
"Dumb Sand" was nowhere near as extravagant as "Magnetic Light Mica,"