Combining all the elements, this "discordance" was actually easy to analyze and summarize:
First: "Clones."
Second: people unlike normal shoppers.
Third: people completely out of place within the overall "social setting."
A deeper analysis showed that he was not the only "Clone" in the mall, so that alone was not worth special attention. But there should not have been many people harboring thoughts completely unrelated to "shopping," let alone violent tendencies.
Then there was the third kind... It felt similar to the second kind of "discordance," but it was actually different.
The earlier "discordance" merely placed people from the same social sphere into an unsuitable "setting."
The third kind of "discordance," however, placed a "primitive man" in "modern society." Even if he were dressed like a contemporary person, the problem would still be easy to spot.
This third type had risen to the level of the "Nine Basic Meanings." It was probably a sensitivity unique to "infiltrators."
With Ronan posing as "Little Fear," he was hardly a "primitive man." There was no need to overthink it; more importantly, he needed to do some "reconstruction."
So, in the elevator, he began whistling through leaking lips, trying to imitate that unusual musical phrase from the reconstructed "spacetime scene" and verify it.
At first, it only resembled the original in form. But with Ronan's exceptional control over the Form and Spirit Framework, it quickly matched the one in the "reconstructed scene," and he began attempting interaction and interference on both the material and spiritual levels.
He was rather skilled at that, even in reverse.
Thus, "Little Fear" whistled his half-leaking tune as he went, gradually becoming no different from the melody played by "Nemesis."
The whistle was quite pleasant and quite unobtrusive. Whether inside the enclosed elevator car or passing people by, no