Rosa Nieye's blood, also known as the Painter's Blood, contained a tremendous amount of information.
First, the World of Paintings had been painted by the Painter. This was nothing surprising. The Painter was a special existence, but was worlds apart from beings on the level of a Creator or Founding Deity.
The reason for this was that the Painter could paint a world within this world because of the existence of the painting fragments. The complete World Canvas was actually a kind of world core. It was easy to understand when viewed that way.
The World Canvas was the main reason a world could be painted. Of course, the Painter's uniqueness could not be underestimated either. If Su Xiao tried to paint, he absolutely could not do it. With his painting skills, any map he drew existed only in his own "world," and outsiders could not understand it at all.
Su Xiao could hand the Painter's Blood to four parties—or rather, three: the young lady, the King of Traces in Room No. 5, and the King of Traces Hall.
There was no need to elaborate on the young lady's identity. Anyone could figure out with a little thought that she was the new Painter. Since she lacked the previous Painter's Blood as an awakening medium, the young lady could currently only be considered half a Painter and could not use the World Canvas to paint a world.
The second target was the old man in Room No. 5. Su Xiao had always suspected that this old man was Patient No. 5, the only seventh-stage beastified person in history. Now, it seemed that the old man in Room No. 5 was not Patient No. 5. He was a King of Traces.
However, the old man in Room No. 5, as a