The irritation in Uriel's eyes had almost flashed by in an instant. If the two of them had not watched it over and over, picking apart the details bit by bit, they might not have noticed it at all.
But their painstaking work had brought them its reward.
Precisely because they had discovered this detail, new ideas arose.
Why had Uriel become irritated upon hearing religious music? Was it because he detested religion?
If that was the case, then could the reason he preferred the final chapter be that the merchant had bypassed religious law enforcement and still achieved his goal?
Following that line of reasoning, perhaps the "satisfaction" he liked was not the straightforward satisfaction of a particular genre, but a compounded one—the satisfaction of harboring dissatisfaction toward religion yet still accomplishing one's goal under its interference?
With that thought, Broy and Guy reached a consensus.
The score they chose next needed some touch of invigorating release, fierce exhilaration, or suppressed satisfaction, but most importantly, its core had to be resistance against religion.
Under those conditions, all three scores they had debated earlier were unsuitable and were eliminated.
After choosing again, they ultimately selected "Black Sheep Confession Song."
The creator of "Black Sheep Confession Song" had been a priest from the Younggris Duchy. He had spent the first half of his life in a monastery, carefree and without worry. Later, he was assigned to spread the gospel in a frontier city of the Xitu Church, becoming a priest there who guided the congregation.
The congregation trusted him and was willing to tell him of the bitterness in their hearts. Over years of guidance, he spread the Xitu Church's gospel to the very edge of the region; even the villages under its jurisdiction could be seen to have believers.
To