Chapter 229: Movement Technique
After Mo Hua returned home, he began studying array dissection according to Mr. Zhuang's teachings.
He lay sprawled over his little desk, first flipping roughly through the Collection of Array Dissection Theories. Then, comparing it against what he had learned before, he cross-referenced them and filled in the gaps.
He skipped over what he had already mastered, noting down array concepts he was unfamiliar with, did not understand, or found utterly baffling. Then he went back and studied them slowly, pondering them bit by bit.
After spending an hour on it and gaining a general impression, Mo Hua put away the Collection of Array Dissection Theories.
This was enough for now. With a framework in mind, he could come back and consult it whenever he encountered specific problems while dissecting arrays.
Afterward, Mo Hua carefully opened the ancient Array Diagram and began learning the Reverse Spirit Array.
The Reverse Spirit Array did not fall within the scope of Five Elements Arrays. It was a special type of Array Technique that Mo Hua had never studied before.
The Reverse Spirit Array Patterns, Array Hub, and brushwork all had their own distinct requirements. Though it was still an Array Technique, the feeling of drawing it was entirely different.
Mo Hua felt both nervous and intrigued.
He was nervous because the Reverse Spirit Array truly was much more difficult, and he did not know whether he could learn it.
He found it intriguing because, though the Reverse Spirit Array and the Five Elements Array were both Array Techniques, they were completely different. It even differed vastly from ordinary First-Grade Array Techniques.
First-Grade Ten-Pattern—an anomaly of the Heavenly Dao, unrestricted by grade. This overturned Mo Hua's established understanding of Array Techniques.
At the same time, anticipation rose in Mo Hua's