These Wooden Oxen and Flowing Horses were only simple puppets.
Their structure was very simple too. They could not make many movements, only mechanically advance, retreat, and turn.
They were not even as complex as Mo Hua's Little Tiger, but they were enough to transport ore.
Because their structure was simple, they only required the most basic Spirit Pivot Formation.
There was no need to make them like the Corpse King, drawing complex Sequence Array Patterns and constructing hundreds upon thousands of Spirit Pivot layers for control upon control.
Therefore, even Young Master Yun, who was just beginning to learn the Spirit Pivot Formation, could draw them.
And with Young Master Yun helping, progress became much faster.
But after they were drawn, it still was not that simple.
These Spirit Pivot Formations and ox-and-horse puppets still needed to be used in practice and debugged.
Mo Hua then found time to go to Mine Mountain and test them, to see whether these Wooden Oxen and Flowing Horses could be used normally.
Debugging them was not difficult, but it was rather tedious.
During the trial, mining and transporting ore required manpower.
Debugging the Array Techniques, modifying the Array Techniques, and repairing these Wooden Ox and Flowing Horse puppets also required "people" to lend a hand.
Mo Hua decided to have zombies do the work instead.
Mo Hua once again transferred a batch of zombies from the Corpse Mine, having them mine ore, load it onto mine carts, and then let the Wooden Oxen and Flowing Horses pull it outward.
Among this batch of zombies was one Little Zombie.
It was not tall, and its face was pale.
It was precisely the Little Zombie in the Ten Thousand Corpse Array whose Sequence Array Pattern Mo Hua had altered earliest, the one that secretly