Ch. 621*My Youth Romantic Comedy Is Wrong, As I Expected* (Please Continue)
Chapter Summary: “Anime Production: Starting by Healing the Audience”
Key Plot Points and Events
- Secretary Zou contacts Fang Zheng on behalf of the higher-ups. They hope he will consider producing anime that encourages young people to think more positively about romance, marriage, and family.
- He reassures Fang Zheng that this is only a suggestion, not an order. Fang Zheng is free to continue developing anime culture in his own way, and the authorities will not interfere heavily.
- Fang Zheng agrees to keep the request in mind and cooperate if possible. He recognizes that the higher-ups have made a concession by not forcing him, so he feels obligated to show some goodwill.
- After the call, Fang Zheng realizes that he will probably need to create at least one romance-related work.
- He reflects on why many young people avoid marriage: the cost of housing, cars, bride prices, and weddings has made marriage financially overwhelming.
- Drawing on his previous life, Fang Zheng calculates that even a relatively modest marriage could require around 600,000 yuan, demanding many years of savings from an ordinary worker. The chapter ends as he continues considering the enormous financial burden faced by young people.
Character Development
- Fang Zheng is shown as thoughtful, independent, and committed to artistic diversity. He dislikes the idea of being pushed into repeatedly making romance anime, fearing both creative stagnation and audience fatigue.
- Despite his reservations, he demonstrates political awareness and pragmatism by agreeing to consider the request. He understands that cooperation is necessary when the authorities are asking rather than commanding.
- His personal memories reveal that he once valued a simple, independent lifestyle centered on work, hobbies, entertainment, and financial freedom. This helps explain why he sympathizes with young people who fear marriage.
- Secretary Zou/Wu acts as a mediator between Fang Zheng and the higher-ups, easing Fang Zheng’s concerns and clarifying that the request is voluntary. The passage uses both “Secretary Wu” and “Secretary Zou,” apparently referring to the same official or containing a naming inconsistency.
Significant Themes
- The tension between artistic freedom and social responsibility: Fang Zheng wants anime to remain varied, but he also recognizes that creators can contribute to broader social concerns.
- The economic pressures surrounding marriage: Housing, cars, bride prices, and wedding expenses are presented as major reasons young people delay or reject marriage.
- The decline of the demographic dividend: The authorities view anime as one possible way to encourage marriage and family formation, though they acknowledge that entertainment alone cannot reverse larger social trends.
- The diversity of anime culture: Fang Zheng believes anime should contain many genres and emotional experiences, from comedy and romance to tragedy and emotional intensity, rather than becoming limited to a single social purpose.
- Generational and social anxiety: The chapter emphasizes how modern financial expectations transform marriage from a personal relationship into a massive economic burden.
Character Interactions
- Secretary Zou/Wu speaks with Fang Zheng by phone and carefully addresses his concerns before they become objections. His reassuring tone preserves Fang Zheng’s autonomy while still communicating the higher-ups’ expectations.
- Fang Zheng responds diplomatically, accepting the suggestion without fully surrendering his creative principles.
- Fang Zheng’s later reflections are less an interaction with another character than an internal dialogue between his personal experiences, his artistic ideals, and the social demands being placed on him.