Ch. 161Giving Flowers
Chapter Summary: “Giving Flowers”
Key Plot Points and Events
- Asuma Sarutobi remains an ordinary Jonin after refusing both the position his father arranged for him and a place in the Security Force.
- The Third Elder suggests that Asuma eventually succeed Nara Shikaku as head of the Jonin Class, but Asuma rejects the idea, claiming he lacks the necessary authority and charisma.
- The elder warns that, if Asuma continues refusing responsibility, Hiruzen may place him in the Anbu, forcing him to work directly under his father.
- The conversation shifts to Hiruzen’s deteriorating health. The Third Elder explains that Hiruzen’s years of battles, accumulated injuries, and recent attacks have severely weakened him. Retirement and choosing a Fifth Hokage might prolong his life, but Hiruzen continues working instead.
- After Asuma leaves, the elders reveal that they are deliberately trying to influence him. They believe his stubbornness resembles Hiruzen’s and plan to use “Xiaohuang” to help persuade him.
- Asuma immediately goes to the Security Force headquarters to find his cousin Huang, but discovers that Shikaru Nara is temporarily occupying the director’s office.
- Shikaru jokes about Asuma entering without knocking and teases him about being a “pervert.” She then explains that Huang is visiting the Uchiha compound and tells Asuma he can still catch her there.
- Shikaru also clarifies that the pink-haired girl questioned by the Uchiha the previous day was not a spy and asks Asuma to address his clan members’ excessive behavior.
- Before Asuma leaves, Shikaru uses her shadow technique to give him a bouquet of yellow and white chrysanthemums, asking him to deliver it.
- At the quiet Uchiha compound, Asuma walks through the deserted alleys and discovers rows of fresh graves, with new green shoots growing from them.
Character Developments
- Asuma is shown as reluctant to inherit authority or become involved in politics, but his concern for Hiruzen reveals a growing sense of responsibility. His immediate decision to seek out Huang suggests he is taking the elder’s warning seriously.
- Hiruzen is portrayed as physically declining but still stubbornly committed to his duties. His history of enduring injuries for others emphasizes his self-sacrificing nature.
- The Third Elder acts as both a concerned elder and a political manipulator. He genuinely worries about Hiruzen, yet he also intends to maneuver Asuma into a more influential role.
- Shikaru Nara provides comic relief through her teasing and apparent laziness, but she is observant and involved in the chapter’s more serious matters. Her decision to send flowers shows sympathy toward the dead Uchiha.
- The elders are revealed to be coordinating behind the scenes, carefully attempting to shape Asuma’s choices without pushing him too openly.
Significant Themes
- Duty versus personal freedom: Asuma wants to remain uninvolved, while the elders believe his position and family ties obligate him to accept greater responsibility.
- The burden of age and sacrifice: Hiruzen’s declining health reflects the physical and emotional cost of a lifetime spent protecting the village.
- Political manipulation: The elders use indirect pressure rather than openly ordering Asuma to act, revealing the complex power struggles within Konoha.
- Grief and remembrance: The chrysanthemums and the silent graves symbolize mourning for the Uchiha and acknowledge the human cost of the recent violence.
- The consequences of conflict: The fresh graves and emerging plants suggest both tragedy and the possibility of renewal.
Character Interactions
- The Third Elder pressures Asuma about succeeding Shikaku while simultaneously warning him about Hiruzen’s condition.
- The elders privately discuss how to influence Asuma, demonstrating their strategic approach to him.
- Shikaru teases Asuma, then gives him practical information about Huang and the Uchiha compound.
- Shikaru’s delivery of the chrysanthemums creates a quiet connection between her, Asuma, and the fallen Uchiha.
- Asuma’s arrival at the graves marks a shift from political discussion to direct confrontation with the aftermath of the clan’s destruction.