Cultural Propaganda, Finding Actors Among the Lilim
"Find actors, find actors, find actors."
"Let me see the script! Give it to me!"
Lynn presented it with both hands. "Here."
The first film Lynn planned to make.
It was a film packed with political significance.
Its significance lay in freedom.
It began from the perspective of the upper class, as Lynn had imagined it.
The setting was an arrogant, overbearing noble wastrel whose family was gradually falling into ruin. In the beginning, he bullied commoners and slaves, was obsessed with chasing fame and fortune, fell in love with beautiful women from prominent families, and used underhanded methods. He thought of himself as one of the elite, while this world was full of people hurting one another.
Everyone seemed friendly on the surface, but beneath it all was darkness.
Then his family fell into decline, and he lost his own power struggle.
The story showed the truth: the upper classes were also brutally exploitative, and even nobles could fall.
After his fall, the film showed the dangers of gambling. With no money left to gamble, the man became a slave.
He became one of those caught on the Killing Line.
A fallen noble.
In the lower city, he witnessed many things.
At this point, the story began to show that nobles could become slaves, too, as could merchants and cultivators.
It also showed how the people at the bottom were oppressed just as badly.
The people at the bottom hurt one another even more viciously.
They were bullied even more severely.
They couldn't even maintain a pretense of kindness among family members; each one was a bloodsucker, shirking responsibility.
The world was utterly rotten.
Through the eyes of this once-noble slave, now fallen into depravity, the film showed the people who had