The interior of Puluokesi Hall was a constantly shifting, mosaic-like exhibition space. Walking from one exhibition hall to the next brought you into a different setting. Sculptures that met a certain standard were displayed here. Putting them all in one enormous hall would be impractical, so the works were often arranged into halls of different styles according to the reviewers' wishes.
Reviewers held a very high status in Puluokesi Hall. Generally, only masters who had entered the Baixiang Hall Heart Gate were qualified for the job, allowing them to decide where other sculpture masters' painstaking works would be displayed with ease.
Guen was no longer completely in the dark.
Puluokesi Hall was a temple devoted solely to sculptural art, while the Baixiang Hall Heart Gate was the ultimate destination for all great artists. There were other artistic institutions like Puluokesi Hall, and only the most outstanding individuals from among them qualified to enter the Baixiang Hall Heart Gate. For a group of lives that loved art, it could be called "the Universe Master of human art."
"You've seen the first floor. What matters most is the 'Three Spaces.' The name tells you exactly what they're for. They store the sculpture works of different masters in three broad categories.
"Those that lean toward emotion and the spirit, those that lean toward laws, and those that are balanced. The latter two are definitely more suited to you. As for me, the first space is still the best. There's nothing else worth mentioning. Look, Guen—your 'Jueguang.'"
Guen followed Huolmo's pointing finger and indeed saw his work: a piece in which light seeped forth from the very depths of endless darkness.
In both concept and composition, it was merely ordinary among the works in the exhibition hall. But the laws it contained and its