After afternoon tea ended at 2 p.m. on October 4th.
Jiang Han had to either put on her costume at home or bring it to the rehearsal venue to change into. Witches generally worked with this kind of efficiency: find a temporary replacement at the last minute, train and rehearse for a day or two, then send them straight onto the stage. Simple and crude.
That was also related to the fact that witches did not really have idol agencies or song-and-dance troupes.
Compared to putting on performances, theater troupes were generally better at hunting, giving off the feeling of some kind of "hunting pack." But because they were so efficient—often finishing a hunt yesterday and rehearsing a script today—combining the two jobs did not affect them much.
Jiang Han's costume was custom-made as well. Though she was only a temporary worker, for witches, so long as witch materials were not used to make the clothing, costumes like these could be produced in one go by entering the data into a computer and then using a spell called [Todd's Tailor], creating all sorts of garments.
Making clothes from witch materials, on the other hand, required four computers and one magical-sense instrument for weaving.
All in all, they had now entered the age of mechanization.
After all, they accepted new things very quickly. One could even say they had an obsessive itch for new technology—if they had new technology and did not play around with it, they would absolutely feel unbearably itchy.
Custom-made costumes could also be exquisitely detailed, like the one in Jiang Han's hands.
It was centered around an off-the-shoulder spaghetti-strap dress, with a design that, for some reason and with questionable intentions, exposed the back of a fourteen-year-old girl. There was also a great deal of lace trim,