It might not take very long. If the approval policies could be changed, then it would be better to take a look at the Korean realist films I covered before. Ah, an ad came on. Let's move on to the next item: what exactly was the overseas reception of The Wandering Earth? We often see domestic films released worldwide, even simultaneously worldwide, and that certainly makes us feel proud. But what was the reception really like? One aspect was the media, and the other... Let's talk about the former first. When I looked up the current number of Chinese media outlets, I found there was no relevant data at all. Radio stations, broadcasts, magazines, television stations—the numbers were truly too difficult to compile. When all those hard-to-count figures were added together, it became even more so. Therefore, when discussing an event in the future, please do not crudely use terms like "foreign media" or "American media." In an era when everyone might have two self-media accounts, using the media of an entire country to stand in for something was simply inappropriate. It was like seeing an American website use one Chinese rule-of-law outlet to represent all Chinese media; that site would probably be surrounded by Chinese people demanding an apology. I think that once we humbly acknowledged that China was not the Middle Kingdom, perhaps we should also admit that the practice of calling foreign media "the periphery" should probably come to an end. A newspaper I usually read published a related report. The New York Times carried a certain degree of authority. This was written by the paper's Beijing correspondent. I roughly looked through it; compared with anything else, it mainly introduced the film and the comments from many members of its creative team. Of course, there was criticism
Naruto: Mall System
978 words•3 min read•1 views
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End of Chapter