In Su Xin's battle with Zhao Jiuling, Su Xin was the one who truly regarded it as a pure battle of martial arts. Zhao Jiuling's thoughts, however, were more complicated. Most of his attention was not focused on fighting Su Xin, but on the Taoist Alliance below.
Of course, Su Xin did not care what Zhao Jiuling was thinking. He was simply fighting with all his strength. If Zhao Jiuling let his guard down and was killed, he would have no one to blame but himself.
At this moment, Su Xin's sword had already brought the might of his swordsmanship to its utmost limit. After advancing into the Divine Bridge Realm, he had more or less fused his previously disparate martial paths into one. It was not merely fusion, but an ultimate sublimation.
Su Xin cultivated several types of techniques, including Taoist, Buddhist, demonic, and sword arts. When his sword descended now, it contained not only the pinnacle might of his own swordsmanship, but also traces of Buddhist rhythm.
The Buddhist scriptures spoke of one flower being one world, one leaf being one Bodhi. Some scriptures inherently contained exceedingly profound truths of martial arts; otherwise, Shaolin Temple's Yuan Kong could not have listened to Buddhist scriptures for over a decade before attaining sudden enlightenment in a single day, gaining the strength of the Spirit Transformation Realm.
Su Xin's sword was now a world. Within the edge of this sword path, Zhao Jiuling saw immortals above the Ninth Heaven dancing with swords, and ghosts beneath the netherworld wielding swords in their dance.
Within the mortal realm, there were sword-wielding martial artists who buried themselves alongside their swords, transforming into Sword Tombs. Their soaring sword qi reached the Heavenly Court above and the Nine Netherworlds below.
This was Su Xin's ultimate sword