Another day passed. When Karen came out of the tent, Sathis had been waiting outside early. It was as if he had not rested at all and had just stayed outside Karen's tent all night. Well, it seems really possible.
Okay, let's continue yesterday's research today. What exactly went wrong? Karen was thinking about it. Suddenly Karen thought that there was no problem with the engraving of the magic array pattern, so could there be a problem with the materials?
If there is a problem with the material, it would be a big problem. The material used by Karen is the material that normally depicts magic arrays. But if this changed magic array uses other materials, it would be difficult to guess.
Due to the effect of magic in this world, materials have become diverse. You can't guess what magic materials the other party uses. First of all, you need to know why the other party wants to change the materials, and what is the purpose of changing the materials? Then filter the materials according to the conditions.
So why use special materials? Karen hasn't figured it out yet. Karen decided to release Meteor a few more times to see if any problems can be found.
So, Karen explained his plan to Sathis and needed Sathis's cooperation. Of course, Sathis agreed without hesitation.
Release Meteor again, Karen closed his eyes and tried to observe the movement of the magic array in his mind. Over and over again, Karen still had no problems. Karen wrinkled He frowned and became a little impatient. It took 3 to 4 seconds to release a high-level magic like Meteor, Karen. This time, it took a long time to release Meteor again and again.
Wait, Karen thought of a question. The release of the spell takes time, because the magic power needs to run on the magic array. Is there a problem with the operation?
This time Karen did not rush to release the spell. He first calmed down and adjusted his emotions. Then he released Meteor again. This time Karen released it more slowly. Karen carefully felt the movement of magic power on the magic lines. Although it takes more than three seconds to release a spell, it is still a bit short compared to so many magic lines. The magic power moves so fast that it is difficult for an individual to catch the traces of magic movement.
Fortunately, Drew was here. After Karen slowly released Meteor three times, Drew played it back in slow motion. Then Karen discovered that when these magic powers were running on the magic lines, they reached the magic nodes at almost the same time. The magic nodes also began to output magic power to the extended magic lines after the magic power was gathered.
With the results of this observation, Karen knew why his magically modified Meteor magic formation failed. When the three-dimensional magic formation was modified and became a flat magic formation, many of the magic formations on it had undergone a lot of modifications. After these magic formations were modified, the operation of magic was different from before, and the speed of operation was different. A big deviation also occurred. All the magic power could not be transferred to the magic node in time, causing a delay in operation. Maybe one delay had little impact. At most, the release time was slower, and the magic could still be released. However, after problems occurred in multiple magic nodes, delays one by one caused huge deviations, making it impossible for the magic power to complete its operation on the magic array, so the spell could not be activated.
After knowing the reason, Karen no longer studied the magic array pattern of Meteor, because it was really unnecessary. There were so many modified magic array patterns, and I wanted to test them one by one, and then configure different magic materials to change the magic in the lines. This is a huge project. The modification of the magic pattern of Meteor, a high-level spell, must have been completed through the joint efforts of several generations of enchanters or a large group of magicians. It can be said that it is a secret book of enchantment formulas, the kind that will not be passed on to others.
Although Drew is here, Karen can still be cracked after spending some time, but it is not to obtain this magic pattern, but to study it. There is no need to spend more time. Anyway, you already know what you want to know, so spending a lot of time will be a waste. The things you get may not necessarily be useful, and I don't make money by making wands. Practicing enchantment is just a hobby. In order to learn how to build a teleportation array, I can go to Kalimdor to build a teleportation array that transcends distances. So there is no need to delve into it in depth. Let's return to the original task and make an excellent level wand.
So what kind of wand should you make? Just make a weakened version of this epic wand. Just make a wand enchanted with low-level intelligence, low-level endurance, and the low-level spell fireball. A completely low-end version, with both spells and attributes lowered by two levels, is just right. Moreover, the location of the enchantments can be determined according to this wand.
The material of this wand is the body made of burning crystal wood. Burning crystal wood is an advanced magic material and a special companion plant that grows on the flame crystal ore.
During the growth process, this plant absorbs a large amount of mineral components and the fire element contained in the flame crystal ore. As a result, if the plant itself crystallizes, it will grow very slowly. A piece of burning crystal wood like this has grown for at least hundreds of years. And this is not a branch, but a trunk. At the same time, the burning crystal wood also absorbs the characteristics of the flame crystal during the growth process, and has good magic conductivity, especially the non-destructive conduction of fire magic. It is the best material for making fire wands.
Karen also plans to use burning crystal wood to make a wand. Although it is a bit wasteful to use burning crystal wood to make a low-level wand with only excellent quality for elementary spells. But after all, it is the first wand made by oneself, so it is still very memorable. If you want to do it, you must make the best. Karen still decided to use burning crystal wood to make the wand body like the epic wand. After all, he wants to enchant the fireball spell, and using burning crystal wood will have the best effect.
After selecting the material for the rod body, Karen remotely notified Marvin to purchase it. There is no need to trouble my brother with such trivial matters in the future. The next step is to prepare the enchanting materials. They are all low-level enchantments, there are no special materials, and Karen has them all ready-made.
Finally, it's about the choice of magic pattern. Haven't you already chosen the enchanting formula? Why do you still have to choose?
Now let's talk about the fireball spell. Fireball is the most basic spell for formal mages, and it is also the most commonly used spell. This spell has been badly played, and some intermediate mages who cannot be promoted have studied fireball for a lifetime. They have developed many variations of fireball, and according to Karen, there are thirty-seven varieties.
Although these variant fireball spells are not necessarily better than regular fireball spells, some do have some unique features. Some take the high temperature of fireball spells to the extreme and weaken other aspects. Some add explosion effects, and some enhance the casting speed or distance.
Karen I also heard that there seems to be a sect specifically established for fireball, called Five Fireball Divine Cult. It is said that five mages use five different variants of fireball, which can rival the effects of advanced fire spells.
But it seems to be very demanding, requiring five people to cooperate with each other seamlessly. Once one of them leaves, it loses its power, and it will be difficult to find other people to cooperate. Even in Five Fireball Divine Cult, there are not many teams with such a combination.
Okay, let's go a little further, Karen is going to choose a fireball technique to depict.