Ch. 161Doll (Double Chapter)
Summary: Chapter 161 - "Doll (Double Chapter)"
1. Key Plot Points
- Late-night visit: Kotoko Higa visits Wu Heng (posing as "Mr. Ozaki") with beer and an analysis diagram of the "Nara Gangoji Estate Descent Rite" (the Bogiwan summoning ritual), though it's still incomplete—she needs about a week to fully improve it.
- New case: Kotoko is heading to Yamanashi Prefecture to investigate a killing spree by a "black long-sleeved kimono doll" tied to an urban legend. Wu Heng identifies this as the "Eyeless Doll"—a puppet-type evil spirit from the original story's second part.
- Wu Heng's decision: Seeing the puppet as a perfect sacrifice for his Seven Fiends Rebirth Ritual, he volunteers to accompany Kotoko, using his meta-knowledge of the doll's origin (Kisaragi Rie is the source).
- Arrival in Yamanashi: They meet Kotoko's younger sister, Higa Miharu, who has come ahead to handle the case. Wu Heng immediately overrides the plan to visit the cursed editor Fujima and insists they go directly to Kisaragi Rie, the true source of the curse.
- Wu Heng's plan: He reveals the full backstory—Rie created the urban legend to kill her bullies, her father, and her siblings. He asks Kotoko to help him seal the doll rather than destroy it, intending to claim it for himself.
2. Character Developments
- Wu Heng is pragmatic and opportunistic, constantly seeking ways to maximize gains before leaving the world. He uses his plot knowledge ruthlessly and demonstrates cold decisiveness with allies, showing no hesitation in exploiting both people and spirits.
- Kotoko is newly revealed as a "Spirit Blesser" of the Association after her battle with Bogiwan, and is defined by relentless sense of duty—despite exhaustion, she immediately moves to the next crisis without rest. She also shows trust in Wu Heng's judgment.
- Higa Miharu is introduced as less perceptive than her sister, unaware that visiting Fujima first would have endangered herself.
3. Significant Themes
- Sacrifice vs. survival: Kotoko's willingness to sacrifice some mediums during exorcisms mirrors her larger philosophy; Wu Heng has no illusions about her—he'd never want to be on the "track" she chooses.
- Cycle of abuse / blurred victim-perpetrator line: Kisaragi Rie is simultaneously a victim of domestic violence and cold bullying, yet also an abuser who bullies weaker classmates and uses an urban legend to kill—highlighting how abuse breeds abuse.
- Knowledge as power: Wu Heng's advantage comes entirely from knowing the plot's secrets, which he leverages to capture the Eyeless Doll.
- The idea of control: Kotoko is a "puppet" of fate/duty; Rie feels like a puppet controlled by life; the doll itself is a puppet—Wu Heng seeks to become the puppeteer.
4. Character Interactions
- Kotoko & Wu Heng: A partnership of mutual respect with underlying wariness. Kotoko trusts his knowledge and follows his lead without hesitation; Wu Heng acknowledges her qualities (decisiveness, kindness through sacrifice) but admits he'd rather not work alongside someone like her.
- Wu Heng & Miharu: Wu Heng is cold and curt, cutting her off mid-sentence and overruling her suggestions; her authority is repeatedly undermined.
- Kotoko & Miharu: Sisterly and hierarchical—Miharu calls her "big sister" and defers to her judgment, while Kotoko backs Wu Heng's decisions firmly.