Setting aside a ton of volcanic glass, Liszt handed it over to the master craftsmen at Fire Dragon Brickworks for glassblowing experiments—this was a technical craft that required constant trial, refinement, and polishing before suitable glassware could be blown.
The art of glassblowing likewise required repeated honing before truly qualified glass craftsmen could be trained.
Moreover, glassmaking sounded simple, but producing flawless transparent glass was no easy task and would likely require a long period of exploration—at least in the short term, glass could not compete with crystal, not even crystal that had exhausted its magic.
Liszt himself remained on Black Horse Island, extracting Fire Dragon magic.
The master craftsmen of Fire Dragon Brickworks blew a very large volcanic-glass bottle. Its color was translucent, and it vaguely possessed the bearing of true glass.
Of course.
Volcanic glass was still fundamentally different from glass; it was merely a substance similar to glass. Glass was fragile, whereas volcanic glass was not easily shattered, with a far greater stress tolerance than ordinary glass.
With this large volcanic-glass bottle, his efficiency in extracting Fire Dragon magic increased further.
He secured the volcanic-glass bottle and inserted a volcanic-glass tube into its mouth. After piercing the bubbles in the volcanic-glass ore, he immediately fitted them over the volcanic-glass tube. With a slight puff of air, the Fire Dragon magic naturally squeezed into the volcanic-glass bottle. Once the Fire Dragon magic filled it to overflowing, he extracted it and stored it in Fire Dragon Canisters.
His efficiency more than doubled.
Just as he was happily collecting Fire Dragon magic on Black Horse Island, Chris sent a letter from Flower Town. Along with it came a batch of potions.
After opening the letter and reading it, his eyes soon lit up.
Among this batch of potions, there was