Afterward, Zhao Fu took out another type of essence. This one was a small shield, one finger long and three fingers wide, carrying an aura of solid defense.
The twelve hundred shield essences automatically shot into the sky as well, ultimately merging into a large silver shield.
This large silver shield stood half a person tall and was round. At its center bloomed a narcissus flower, while patterns covered its surroundings, making it look exceptionally exquisite. The silver shield also carried an air of unyielding solidity, as though it could block everything.
Afterward, Zhao Fu fused the remaining bow essences, axe essences, and hammer essences into three pieces of equipment.
All three pieces looked as though they had been forged from silver, their surfaces covered in patterns and exceptionally exquisite. At the same time, each radiated a different powerful aura.
The silver longbow gave one the feeling that, once held in hand, every shot would strike true and slay all enemies. The silver battle-axe gave off a fierce power capable of splitting mountains and cleaving stone, while the silver warhammer possessed nothing but brute force that could smash apart everything.
The Silver Lake Seven-piece Set had now been completely fused. Every piece radiated a powerful aura, and they seemed connected to one another. These seven pieces of equipment possessed a certain degree of consciousness and would automatically choose their masters.
This reminded Zhao Fu of the Assassin Twelve-piece Set. Its pieces were connected to one another as well, represented different powers, chose their masters, and even possessed an inheritable nature.
The difference was that the Silver Lake Seven-piece Set focused on frontal combat—equipment of direct, overwhelming destruction—whereas the Assassin Twelve-piece Set centered on assassins. Though their combat styles differed, the latter still had the assassin class as its core.
Moreover,