Rowena Ravenclaw's idea of combining musical melodies and using a kind of "resonance" to obtain a soul imprint reminded Wizet of magical portraits.
The reason Wizet thought of this was because he had summarized the concept of "imprints."
As long as anything had existed, it would always leave behind some kind of imprint. The way these imprints were used was actually somewhat similar to how "'consensus' magic" was used.
One needed to find a "fulcrum" to pry at the "imprint," and then it would be time for the imprint itself to reveal its effects.
The basis for painting a magical portrait was Developing Potion and Wit-Sharpening Potion. These two potions served as the base colors, then were combined with other materials to create the appropriate paints.
When the painting began, this "potion paint" drew upon the painter's "soul" and its "memories" of the model, using them as the foundation for applying color and ultimately completing a magical portrait.
In fact, the idea behind creating magical portraits was very similar to the idea behind obtaining soul imprints.
The "soul imprint" Rowena Ravenclaw obtained through the "resonance" of musical melodies was, in fact, the "soul" within one's spirit.
Because an alchemical suit of armor needed the ability to act independently, Rowena Ravenclaw would use musical resonance to imprint as complete a "soul" as possible.
Only by imprinting a relatively complete "soul" and combining it with Bundimun could the alchemical armor gain the ability to act independently.
Wizet briefly explained what had happened in the memories of Helga Hufflepuff and Rowena Ravenclaw, leaving Fred and the others wide-eyed.
"The stone plinth giant Professor McGonagall controlled before..." Neville's voice drifted as though he were dreaming. "That was how it was made?"
"Since that's the case, should we..." George rubbed his hands together. "Bring