Ch. 483The Battle Rages On

Yang Dong and the Empress fought the middle-aged man and the Lord of the Underworld as the Gray Altar's threat loomed. The battle left four Quasi-Immortal Emperors locked in a clash while other powerful figures faced their own enemies.

  • The middle-aged man attacked Yang Dong with Order Divine Chains, and Yang Dong countered with Demon Blade Thousand Blades.
  • Ye Fan sensed Yang Dong's battle but stayed to face two Quasi-Immortal Emperors, while the wounded Emperor Wushi continued resisting his attackers.
  • The Lord of the Underworld emerged after the Yellow Talisman Paper ignited and declared that the opened Main Sacrificial Land would bring Destruction.
  • The Lord of the Underworld appeared behind the Empress and attacked her, drawing both fighters into Space-Time Turbulence.
  • The middle-aged man identified the Lord of the Underworld as a descendant of the Land of the Upper Heavens, and the Lord agreed to help him sacrifice the Empress and Yang Dong to the Gray Altar.
  • Yang Dong and the middle-aged man clashed again as the Lord of the Underworld renewed his assault on the Empress, throwing the world into turmoil.

Ch. 484All Heroes Arrive

Yang Dong, Ye Fan, the Empress, and Emperor Wushi faced the middle-aged man and the Quasi-Immortal Emperors who followed Heaven’s will. As the altar threatened to erase the age, they chose to fight rather than submit.

  • Ye Fan arrived carrying the corpse of a Quasi-Immortal Emperor, then clashed with a pursuer wielding a broken spear.
  • Yang Dong and Ye Fan recognized each other as more Quasi-Immortal Emperors gathered around the altar.
  • The middle-aged man demanded that they choose between their own fate and Heaven’s, while several Quasi-Immortal Emperors sided with him.
  • Emperor Wushi arrived, and Ye Fan explained that the altar could be activated to return everything to nothingness.
  • The Empress, Emperor Wushi, Ye Fan, and Yang Dong chose to fight, with Yang Dong declaring, “My fate is mine, not heaven’s!”

Ch. 485Bathing in Blood, Fighting to the Death

Yang Dong and his allies battled twelve Quasi-Immortal Emperors as the Gray Altar threatened to usher in the gray era. Yang Dong killed two opponents, while Emperor Wushi and the others remained in danger and the fighting continued.

  • Yang Dong, Ye Fan, the Empress, and Emperor Wushi fought the Quasi-Immortal Emperors as the Gray Altar emerged, and the battle left their side at a disadvantage.
  • The Empress killed a Diting Beast Quasi-Immortal Emperor after Emperor Wushi immobilized it with the Wushi Bell, but Emperor Wushi was wounded by a black arrow.
  • Yang Dong urged his opponents to resist the middle-aged man, then used the Ghost God Fist to tear apart a flesh-specialized Quasi-Immortal Emperor, whose soul Shi Hao destroyed with the Demon Blade Thousand Blades.
  • Yang Dong killed a second Quasi-Immortal Emperor with another Ghost God Fist strike, prompting the remaining enemies to argue and turn on one another.
  • The Quasi-Immortal Emperors fighting Yang Dong abandoned him to clash among themselves, leaving him temporarily without an opponent.

Ch. 486Heavenly Emperor Burial Pit

Yang Dong, Ye Fan, the Empress, and Emperor Wushi fought the Gray Altar’s middle-aged messenger and the Quasi-Immortal Emperors, but the altar’s power turned the battle against them. Emperor Wushi was struck by a gray arrow, and as the Gray Era began, the messenger declared the pit would become the Heavenly Emperor Burial Pit.

  • Yang Dong joined the battle beside Emperor Wushi, while the Empress and Ye Fan each killed a Quasi-Immortal Emperor.
  • The middle-aged man used the altar and Great Universe Fire to restore the surviving Quasi-Immortal Emperors, who then overwhelmed Yang Dong and the others.
  • Emperor Wushi summoned his past and present selves, found he had no future self, and killed two Quasi-Immortal Emperors.
  • The middle-aged man attacked Emperor Wushi with an Order Divine chain and the Gray Altar’s arrow, leaving him mortally wounded.
  • The Gray Altar began the Gray Era, and the middle-aged man named the forming forbidden land the Heavenly Emperor Burial Pit as the submitted Quasi-Immortal Emperors burned in the Great Universe Fire.

Ch. 487Gray Era

Yang Dong, Ye Fan, and the Empress fought to escape the Gray Altar’s newly forming world as the altar drove the Myriad Worlds toward a grand sacrifice. Elsewhere, Xiao Song used Ominous Substance to defend the Heavenly Court, then killed himself after avenging his fallen companions; the Bronze Ancient Coffin later delayed the Gray Altar, but the era-changing disaster continued.

  • The Gray Altar’s flames killed the Quasi-Immortal Emperors who had pledged allegiance to Heaven, and its power began withering realms across the Myriad Worlds.
  • Ye Fan failed to restrain the Gray Altar, and its arrows forced Yang Dong, Ye Fan, the Empress, and the wounded Emperor Wushi to flee; Yang Dong escaped its laws while Ye Fan and the Empress remained trapped.
  • As the war devastated the Zhetian Great Realm, Xiao Song accepted Ominous Substance, defeated eight Immortal King-level experts, slaughtered three realms, and ended his own life before it could control him.
  • The Bronze Ancient Coffin appeared and weakened the Gray Altar’s new world, allowing Ye Fan and the Empress to escape with Yang Dong’s combined Ghost Hand powers.
  • The Bronze Ancient Coffin held the Gray Altar at bay, but the Empress warned that it could only delay Tianyi’s irreversible changes to the era.

Ch. 488The Ruined World of Shrouding the Heavens

Yang Dong, Ye Fan, the Empress, and Emperor Wushi returned to the Zhetian Great Realm after the Gray Altar’s attack, only to find it devastated and learn that the Heavenly Court had fallen. Ye Fan left with the Empress to seek a place to rebuild reincarnation and try to save his dead friends and family.

  • The Empress identified the newly forming universe as a sliver of hope, and Ye Fan used the Dragon Phoenix Undying Grass to save Emperor Wushi from dying of his injuries.
  • Ye Fan and the others returned to the Zhetian Great Realm and found its Immortal Realm and lower realms in ruins.
  • Ye Fan healed a contaminated survivor, who told him the Ominous Substance had spread and could not be removed without killing its host.
  • The survivor revealed that the Heavenly Court’s fighters, including Duan De, Yang Xiong, the Sacred Ape, the Chaos Body, and Xiao Song, had died in battles against invading Immortal Kings.
  • Ye Fan learned that Black Empress Clan and Hua Hua had gone to rescue the imprisoned soul of his son, Yi Shui, and that they had been gone for thousands of years.
  • Ye Fan and the Empress left to find a place to rebuild reincarnation, while Ye Fan vowed to bring back the fallen Heavenly Court members.

Ch. 489Reincarnation Sacred Ruins

Yang Dong, Ye Fan, the Empress, and Emperor Wushi collected Soul River water and built a City of Reincarnation, but no similar flowers appeared. As a new great realm formed under the Gray Altar’s influence, Yang Dong went out alone to confront the approaching power.

  • The Soul Emperor warned Yang Dong and the others that attempts to create reincarnation had ended in mysterious deaths, but the group collected Soul River water and left before draining the river.
  • In a newly born small world, the four separated Soul Substance from the water and established the City of Reincarnation, where traces of the dead were drawn in and reborn.
  • After waiting for tens of thousands of years without finding similar flowers, Yang Dong and the others watched outsiders claim the City of Reincarnation and exploit its power.
  • A new great realm formed, but Ominous Substance tainted its Cultivation Methods, so Ye Fan and Emperor Wushi began working on a new method while Yang Dong entered the graveyard connected to the old great realm.
  • When the Gray Altar’s power reached the new realm, Yang Dong used Demon Blade Thousand Blades to open a rift and emerged outside to face it.

Ch. 490The Story Ends Here, Doesn't It?

Key Plot Points and Events

  • The chapter opens with a meta-narrative, acknowledging the book's progress and the reader's investment.
  • The story's conclusion is hinted at, with the narrator suggesting that the tale might end soon.
  • There's a brief reflection on the passage of time and the impermanence of stories.

Character Developments

  • The narrator exhibits a self-aware and introspective tone, breaking the fourth wall to address the reader directly.
  • There's a sense of nostalgia and melancholy, suggesting a character arc that has come full circle.

Significant Themes

  • The passage of time and the impermanence of life and stories.
  • The relationship between the reader and the story, with the narrator acknowledging the reader's emotional investment.
  • The meta-narrative theme of storytelling itself, with the narrator reflecting on the nature of narratives.

Character Interactions

  • The chapter primarily features an interaction between the narrator and the reader, with the narrator addressing the reader directly.
  • There's an implied interaction with the story's characters, as the narrator reflects on their journey and the story's conclusion.

Ch. 491New Book "Global Gods: Digital God" Now Released

Key Plot Points and Events

  • The chapter introduces the newly released book "Global Gods: Digital God."
  • It explains the current status of the book as "working hard on updates" and provides instructions for reporting errors.
  • The chapter also mentions the importance of patience in waiting for updates and suggests reading other books to mitigate the wait.

Character Developments

  • No character developments are mentioned in this chapter as it primarily focuses on the book's status and updates.

Significant Themes

  • Patience and understanding in the face of technological limitations and delays.
  • The importance of community engagement (sharing the book) in driving updates and improvements.
  • The role of the editor in maintaining and updating the book.

Character Interactions

  • No character interactions are mentioned in this chapter. The text is primarily a message from the editor to the readers.
Show
Page 25 of 25