Ch. 801Third Person
Chapter Summary
Zong Hou’s defeat and the Linked-Poem Assassin
After being blasted into the air by Fang Yun’s Black Mist Assassin, Zong Hou is visibly shaken. He asks whether Fang Yun had known about the assassin’s special ability beforehand, but Fang Yun truthfully explains that the assassin simply fights in its own unique way. Zong Hou admires the assassin’s strength and poetry before leaving the Literary Battle Arena.
Discussion of the Two-Soul Linked Poetry
The spectators are astonished by the Linked-Poem Assassin, noting that Two-Soul Linked Poetry is extremely rare. They compare it to famous examples created by Cao Cao and Zong Saint, while emphasizing that Fang Yun has produced one at a remarkably young age. The assassin’s ability to exploit weaknesses and conduct unpredictable sneak attacks makes it especially dangerous to scholars. The crowd also discusses the legendary possibility of World-Passing Linked Poetry, which could make powerful war poetry accessible to countless human scholars and dramatically improve humanity’s chances against the Demon Race.
Qing Kingdom’s carefully chosen opponents
Zhang Poyue explains that Qing Kingdom’s ten challengers have each been selected for a different specialty, preventing Fang Yun from defeating them all through one common weakness. Fang Bo excels in direct combat, Zong Hou in Miscellaneous School techniques, Zhang Huzhu in battle paintings, and Mo Ting in controlling multiple Mohist mechanism beasts. The strategy reveals that Qing Lord has planned the Literary Battle very carefully despite Qing Kingdom’s already strong odds. Literary Chancellor Jiang Hechuan silently studies both Fang Yun and Qing Lord, recognizing the seriousness of the arrangement.
Zhang Huzhu enters the battle
Zhang Huzhu, an elderly and kindly Painting Dao master, approaches Fang Yun with humility, claiming that he is inferior in poetry and Classic Interpretation and can only rely on his Painting Dao. He regrets missing Fang Yun’s earlier lecture on Painting Dao, which had produced the phenomenon of Heavenly Flowers Cascading. Fang Yun recalls how Ruan Ling, originally invited by the Lei Family to oppose him, instead accepted Fang Yun’s techniques and severed his relationship with the Lei Family.
The danger of Zhang Huzhu’s battle paintings
Although Zhang Huzhu appears weaker than some of Qing Kingdom’s other challengers, Fang Yun realizes that he may be the most troublesome opponent yet. Zhang has voluntarily sacrificed three treasures so that he can use battle paintings he prepared in advance. His paintings are capable of killing ordinary Demon Marquises, and he once used them—or his Painting Dao ability—to hold off a Demon King for an hour. Unlike Fang Yun’s temporary battle power, Zhang’s paintings represent months or years of accumulated preparation and can potentially be used repeatedly.
Conflict over Zhang Huzhu’s loyalties
Zhang explains that some of his finest paintings are reserved as gifts, kept for personal reasons, intended for exchange, or meant to support his descendants for generations. Qing Kingdom’s scholars immediately erupt in anger, accusing him of betraying the state because he may not be willing to expend all of his strongest resources against Fang Yun. First Mister Xun silences them with overwhelming authority, demonstrating the Xun Household’s influence over both the Qing royal family and the Zong Family.
A calculated compromise
An elder of the Xun Household points out that Zhang Huzhu may actually be the only person capable of preserving Qing Kingdom’s dignity. If Zhang is defeated, Qing’s royal house can compensate him with treasures; if he wins, the rewards he gains will be vastly greater. His apparent reluctance is therefore not simple betrayal but a rational decision to protect his own legacy and descendants while still participating in the national Literary Battle.
Character Development and Interactions
- Fang Yun remains honest, observant, and strategically cautious. He recognizes both the artistic brilliance of the Linked-Poem Assassin and the severe threat posed by Zhang Huzhu’s prepared paintings.
- Zong Hou shifts from confidence to admiration and fear after witnessing the assassin’s power, accepting Fang Yun’s superiority with respect.
- Zhang Huzhu presents himself as humble and family-minded, but his actions reveal a shrewd elder balancing national duty, personal value, and the welfare of his descendants.
- Fang Yun and Zhang Huzhu interact politely, united by mutual respect for Painting Dao and for Ruan Ling’s changed attitude toward Fang Yun.
- The Xun Household asserts dominance over Qing Kingdom’s nobles, silencing criticism and reframing Zhang Huzhu’s conduct as a defensible strategic choice.
Significant Themes
- Innovation and mastery: Fang Yun’s unprecedented Linked Poetry demonstrates how new combinations of established arts can surpass conventional expectations.
- Preparation versus temporary strength: Zhang Huzhu’s stored battle paintings symbolize the advantage of long-term preparation over Fang Yun’s immediately generated abilities.
- Loyalty versus self-interest: Zhang’s reluctance to sacrifice his paintings raises questions about whether service to the state should outweigh responsibility to one’s family and legacy.
- Political strategy and reputation: Qing Kingdom’s opponents have been chosen with great care, showing that the Literary Battle is as much a contest of planning and national prestige as of individual strength.
- Respect among rivals: Despite the hostility surrounding the contest, Fang Yun, Zong Hou, Zhang Huzhu, and Ruan Ling are connected by sincere recognition of one another’s artistic and scholarly achievements.