Just two days after the four-person recital ended.
Music media across the country, large and small, had almost all reported on the recital.
The most surprising thing was not the sheer number of media outlets covering it.
It was that within those reports, the recital had been given all sorts of considerable significance.
Such as—
The first meeting of Chinese pop music and classical music!
A historic recital!
What mattered was not the music, but the performance!
The old giving way to the new! Every kind of music had its own beauty!
For a time,
Not only the music world, but every corner of the arts community had praised the value of this recital to the heavens!
From the cello to Chinese music as a whole, then from music to Chinese arts as a whole.
Renowned music critic Yu Haoming stated:
"This recital was, in essence, a cultural renaissance initiated by Lin Tian and Gan Yan Yu. At a time when the music industry is undergoing sweeping reform, they used this recital to make people once again recognize classical music's irreplaceable place in music!"
Well-known musician and pianist Wu Feixuan said:
"To be honest, it had been a long time since I had seen a recital this moving. This recital not only revealed a way for pop music and classical music to coexist peacefully in the new era, but also taught us one truth—
Classical music might truly disappear from China with the complete overhaul of the competition system, but it would definitely reappear in another form!
Because people needed classical music. They needed music that could gather the utmost emotions and profound bonds of humanity! And that music had to be classical music!"
—Classical music would not disappear. It would only appear in other forms.
As soon as those