Ch. 61He's Gone Mad Again!
- Key plot points: Shen Ying stays with Duan Yun and the Murong Brothers because she is starving after being trapped in a lake-bound box for 89 days while attempting the Nine-Death Silkworm Art. She eats all their remaining food. Since everyone is penniless, she leaves to hunt and repay them. Meanwhile, Duan Yun trains intensively, now wielding a blade in his left hand and a sword in his right, combining the Spring Rain blade art with sword qi. He gradually gets better at dual-wielding, despite early clumsiness.
- Character developments: Shen Ying reveals she was never a real Daoist nun—she just liked the robe. She is pragmatic, blunt, and willing to repay kindness. Duan Yun claims he invited her to stay because he feels responsible for interrupting her cultivation and wants to learn the Nine-Death Silkworm Art; he insists he is not romantically cursed. The Murong Brothers show their traumatized, pessimistic side: they are scarred by their own “Twelvefold Spring Rain” tragedy, which made them fall for a woman who turned out to be their sister, and they half-seriously suggest Duan Yun undergo gender transformation to avoid love. Duan Yun’s fighting skill noticeably advances, and he begins experimenting with simultaneous blade and sword techniques.
- Significant themes: Romance as a “curse” versus devotion to martial arts; absurdist humor about poverty, transformation, and destiny; the tension between ambition and fate; the Murong Brothers’ belief that love is both the “number one thing under heaven” and a guaranteed path to pain.
- Character interactions: The Murong Brothers tease Duan Yun about being “beyond saving” and sinking into a doomed romance, warning him with their own painful past. Duan Yun brushes them off, argues that cultivation arts matter more than women, and returns to training. Shen Ying interrupts the group’s destitution by solving the immediate problem of food through hunting, showing her active, independent nature. Their exchanges are laced with banter about empty money pouches, empty rice sacks, and the absurd idea of becoming the “Murong Sisters.”