Louis Auguste quickly sketched the scenes he envisioned and wrote down his thoughts. Early the next morning, he sought out his biggest partner—his younger brother.
Looking at his brother's plan, which was practically heretical and utterly out of step with the times, his younger brother's expression turned grave. "Are you sure you want to do this? Do you realize how devastating failure would be to your reputation and our family's grand theater?"
Human stage plays in this world generally fell into only two categories: religious plays and secular plays. Religious plays were the most popular, mainly drawing material from the "scriptures" of various religions. They included miracle plays, mystery plays, morality plays, and more, performed in different places for religious प्रचार or indoctrination. They preached that whenever people encountered a certain kind of hardship, as long as they believed in a particular god, they would be saved.
Secular plays were also known as comedies or farces. They mainly depicted amusing incidents from everyday life, with lighthearted and entertaining content that aristocrats greatly enjoyed.
Beyond that, there were occasionally family plays produced by illustrious families. These promoted the heroic tales of top-tier nobles and told lesser nobles that, as long as they worked hard and found opportunities, they too could become great nobles. Such plays were also highly sought after and could even earn lavish rewards.
For generations, the Auguste Family had focused on secular plays and family plays, and they were especially skilled at the latter. It could be said that nearly every renowned family in the Dawn Kingdom had related plays created by their family—the dragon-slaying Borgia Family, the Medici Family that conquered the Eastlands by canoe, the sacred mission Wei
Yet Louis Auguste's plan this time was utterly contrary to the family's previous works. It could even be