The Living World's first discussion was not whether to let her out, but how far to go first

The four columns Gen drew contained no headings for approval or opposition.

The first column was voice.

The second was one-way observation.

The third was an incorporeal projection.

The fourth was spatial movement.

The voice channel had already been used.

Kaguya could answer, refuse, and raise objections.

She could not transmit chakra through her voice or use her responses to locate the tailed beasts.

The existing risks were clear, and the shutdown procedure had been reviewed twice.

The first column could continue.

One-way observation had two directions.

Letting Kaguya see the Living World.

Or letting the Living World see Kaguya.

These were not the same permission.

The former could expose real-world coordinates, personnel, and arrangements.

The latter could turn the image into a new outlet for consciousness or power.

Someone proposed letting Kaguya see only a blank wall.

Kaguya refused.

"That is not observing the Living World."

The review team acknowledged this.

Providing a false scene could not be recorded as fulfilling the request.

Instead, they began preparing a public materials room containing no coordinate information.

The walls would display only publicly available images of nature, ordinary objects, and participants who had consented.

Each participant could decide individually whether to be seen.

Refusing to participate would not affect their work, status, or right to speak later.

The third column was an incorporeal projection.

Kaguya's outline could appear inside the isolation room.

She could not touch objects.

She could not leave the room's boundaries.

She could not extend her sight beyond the door.

Participants in the Living World could see her movements, but could not obtain a complete chakra sample from the projection.

If the projection produced weight, heat, mental pull, or spatial distortion, the test would stop immediately.

The fourth column was temporarily barred.

Restoring bodily movement, opening spatial passages,