The Power of Laws has levels: Basic Law, Law of the Heavenly Dao, Law of the Great Dao, Law of Chaos, Law of Primordial Chaos, and Law of Origin.
The most basic framework of every world is its Basic Law; above the Basic Law lie the Law of the Heavenly Dao.
If a world lacks Heavenly Dao -level laws, its potential will be extremely low, and it will have almost no possibility of advancement.
The Power of Laws is further divided into Laws Within the Boundary and Laws Beyond the Boundary.
As explained earlier, this "boundary" refers to a dividing line, a barrier.
Under normal circumstances, those inside the barrier cannot see or Perception anything outside the barrier.
For example, in the Marvel Universe, the world as perceived by the people in the Marvel Universe is everything.
To outsiders, the Marvel Universe is nothing more than movies and comics.
In movies, the script and director determine the future of the plot; in comics, the author determines the future of the plot.
And all the methods used in determining the future direction of the plot are the Laws Beyond the Boundary.
For example, inspiration and creativity, the way they are born, whether it's coding or writing, the lighting, editing, dubbing, and special effects in filmmaking... these are the Laws Beyond the Boundary.
Some people say, "Are the Laws Beyond the Boundary really that low-level? Doesn't that mean we all control the Laws Beyond the Boundary?"
Of course not. Many people can indeed control the Laws Beyond the Boundary, but the Laws Beyond the Boundary only have meaning if they can be linked to the Laws Within the Boundary.
For example, when you write a novel, the writing process, the inspiration you get, the creation of the entire plot, and the character development are all Laws Beyond the Boundary.
But the novel you wrote is just a novel; a novel is not a world.
If your novel forms its own world, then the Laws Beyond the Boundary that you control will be related to the Laws Within the Boundary. Only with this connection can the Laws Beyond the Boundary be valid.
Many people may think that the author, director, and screenwriter determine the Laws Within the Boundary and everything in their respective worlds.
But is that really the case?
A novel that can give birth to a world—the author is the Creator of the novel, that is, the Creator of the novel's world, but not the creator.
Those who write frequently, especially those of God Grade writers, Central City extremely immersed in the writing process. But when someone devotes their entire mind to creation, is the author truly in control?
The author has done a good job of setting the background, defining the personalities of the various characters, and establishing the relationships between them...
However, as the plot unfolds, the author has actually been unknowingly influenced by cesium.
The more you put your heart into it, the more you will be influenced by the angular structure. You will feel that you must write it this way, that you will feel uncomfortable if you don't write it this way, and that if you don't write it this way, the angular structure will be ruined.
So, are the cesium horns in the novel's world real?
How do we view this? From a global perspective, of course it's real. Take you, for example. Do you think you're not real? You are real.
But in the eyes of the author and the reader, you are an illusion; you are merely a fabricated product that stirs their emotions.
The Laws Within the Boundary are the process of recognizing the world; the Laws Beyond the Boundary are the process of recognizing oneself.
Between the Laws Within the Boundary and the Laws Beyond the Boundary, there is a transitional layer of laws.
That is, the Law of Illusion and Reality...
As more global announcements are made, the progress of the law analysis has reached 75%.
Three Law of Illusion and Reality:
The Law of Consciousness), the Law of Plot), and the Law of Emotion).
Clearly, the Law of Illusion and Reality and reality is vastly different from the Basic Law.
The Law of Illusion and Reality leans more towards the origin of living beings.
All Wisdom life consists of two parts: body and soul, and the soul contains Divine Will.
This can be understood as the core of a living being, which is its Divine Will. If analyzed using the Myth concept system, consciousness is the Primordial Spirit.
The soul is an energy body that protects the existence of consciousness and serves as an energy bridge for communication between consciousness and the outside world.
The body is the vessel of the soul, and the soul is the vessel of consciousness. When a living being has neither a body nor a soul, as long as consciousness exists, it is not considered to be truly dead.
If it were a world with a cycle of Reincarnation, consciousness would follow the world's rules of Reincarnation, be reborn, and enter the next Reincarnation.
Even without the rules of Reincarnation, if one's consciousness is strong enough, one can be Revive through Body Possession, through the Law of Creation and the Law of Life, and be " Resurrection " again.
This is why, in the Primordial World, Sage who embodied the Dao of Heavenly Dao could live forever.
Sage entrust to the Way of Heavenly Dao is their consciousness, that is, their Primordial Spirit.
The Heavenly Dao will back up the consciousness of Sage and continuously update it. Once Sage is killed, the Heavenly Dao can restore the Sage through the backed-up consciousness.
Therefore, to completely annihilate a Sage in the Primordial World, one would have to erase their consciousness Primordial Spirit as well; otherwise, the Sage would be immortal.
Consciousness, originally a state of being, has become a law here.
Only in a state of illusion and reality can Consciousness Conversion into laws.
It can be said that if Ling Yi were to return to the Primordial World, even with the protection of the Heavenly Dao, Ling Yi could easily annihilate a Sage.
Similarly, the plot is both the process and the result, and in the realm of reality and fiction, it also becomes a kind of rule.
With the Law of Plot), one can define the future plot trajectory of living beings, which is even more defying the Law of Cause and Effect.
For example, Ling Yi can predetermine someone's future storyline, and that person will passively follow the storyline set by Ling Yi.
The Law of Plot)... aren't they essentially the power of the author in creating a story?
The Law of Emotion) seems easy to understand; it's simply the law of controlling other people's emotions!
But if you really think that way, then you're sorely mistaken.
Let's take novelists as an example again.
Humans have emotions, and novelists are no exception. Generally speaking, when the author's emotions are affected, the characters, plot, and ending will be greatly affected.
Comedy turns into tragedy, exciting stories turn into angst, righteous Protagonist turn evil, villains become heroes...
In reality, the greatest effect of the Law of Illusion and Reality is not on the current world, but on the "origin".
What is the origin? It is the fundamental basis of the existence of a world. It is important to note that the origin here refers to tracing back to the source, not energy.
Every world has its origin, the fundamental basis for its birth and evolution.
For example, the origin of the Ling Realm is Ling Yi.
For example, the origin of the film and television world is the director and screenwriter, and the origin of the novel world is the author.
This is why the Law of Illusion and Reality is a transitional law between the laws Laws Within the Boundary and Laws Beyond the Boundary.
Imagine how terrifying it would be if the horned creatures in a novel possessed the power to influence the author in return...
With his cheat-like abilities activated, Ling Yi Sweep the land, and after conquering Yi Province and Jing Province, his progress in analyzing the laws had reached 100%.
The last two Law of Illusion and Reality in this world have also been analyzed.
The Law of Narration), the Law of the Protagonist).
What is narration? It's all the text in a novel besides the characters' dialogue, or the voice-over in a film or television series...
The role of narration is to establish the setting, scene setting, character setting, story setting, language and behavior setting, etc.
The narration is not just about the plot, but more about the detailed planning of the world background.
The Law of Narration) can alter everything in a particular world.
The Law of the Protagonist) is powerful. It can Deprivation someone of their Protagonist status at any time or Bestowal them. Combined with other Law of Illusion and Reality, it can instantly transform an unknown person into the Protagonist of a world, with everything unfolding around the Protagonist as the core of the new story.
Of course, Ling Yi can also Deprivation the Protagonist of his identity. Even if the original Protagonist had various cheat codes, without the Protagonist's identity, he can only become a supporting character and eventually become a stepping stone for the new Protagonist due to various "accidents".
The Law of Illusion and Reality is even more domineering and utterly unreasonable than the Laws Within the Boundary. For any world, mastering the Law of Illusion and Reality is equivalent to possessing absolute power to modify that world.
This is something that the Laws Within the Boundary cannot achieve.
The Laws Within the Boundary are the foundation of the world's existence; the Law of Illusion and Reality are the world's distorting forces...
Ling Yi was increasingly looking forward to the Laws Beyond the Boundary, and also increasingly eager to see what the "author's" expression would be when he, as the Protagonist, jumped out of the current world and met the "author."
Ling Yi really wanted to ask, "Is the author brain-dead? Giving myself a Passive Aura System, yet increasingly Ignore this system's cheat ability—what's with that?"
That's so damn carefree!
For some reason, Ling Yi had a very bad feeling...