"...In summary, this mural depicts a myth from the era of Pharaoh Tutankhamun, showing how the heroic Pharaoh fought a giant serpent and emerged victorious. The giant serpent here is merely an image, possibly representing natural disasters and war. The young Pharaoh defeating the giant serpent represents him leading the people of ancient Egypt through countless hardships and reviving the great Egyptian dynasty.
"Considering that Tutankhamun was a very young Pharaoh, this mural may have been commissioned by him from the court's dedicated... that is, the specialized artists within the court, to be carved in order to consolidate his rule. The vertical composition used in the patterning on the serpent's abdomen was precisely a decorative technique commonly seen in court artworks around the Eighteenth Dynasty of ancient Egypt..."
Dr. Hall stood before the enormous mural, explaining at length, while Diana listened with rapt attention and occasionally asked questions about certain detailed techniques. The two artists engaged in a deep exchange on the level of art and historical-cultural research, already so absorbed that they had forgotten themselves and the world around them.
Deathstroke, standing off to the side, only felt that every single sentence was packed with things to nitpick. Dr. Hall kept casually tossing out one or two ancient Egyptian words, but because they sounded like Arabic, and Diana did not understand Arabic, she had failed to notice anything wrong at all.
His analysis of the artistic techniques was even more ridiculous. Though he was talking about how the court artists of the time had created the piece, it somehow sounded entirely like his own inner process while creating it himself. But because Diana truly did not understand Egyptian artifacts, she failed to hear anything wrong with that either.
And those citations about the Eighteenth Dynasty and Nineteenth Dynasty sounded