No one knew whether the painting called "Brilliant Imagination" had ended up with Zhuri or Huang Jin.
When Yu Xunge got to painting "Lighthouse," she was immediately surrounded by the Fragrant Branches from Star Sea and Mountains.
Two each of Qihua, Xianchan, and Yan Tu, plus Chun Ke, who could not squeeze in and could only crane his neck to look.
Yu Xunge could not understand what was so interesting about it. She painted in fine detail, and a single painting took at least ten days to finish. Some of the more complicated worlds took half a month.
For the vast majority of worlds, she only painted their inhabitants from behind, trying not to let a single individual represent an entire race, though there were occasional exceptions.
For instance, with the Moon Foxes, whose tails and ears came in hundreds of colors, and the Oak Owls, whose wings came in all different colors, she did not stubbornly stick to her earlier principle. Instead, she painted Mist-tail and the Maple Lineage without the slightest hesitation.
In her epoch, there was no monarch among the Moon Foxes more outstanding than Mistblade, nor any leader among the Oak Owls more tenacious than Maple Sugar.
There were many similar examples. Whenever a race had too many variations in its racial traits, Yu Xunge gave priority to that race's leader who had survived to the current stage.
As for "Lighthouse" and the Fragrant Branches she was painting now, Yu Xunge naturally planned to paint Xianchan from behind, with the dim, deep-toned Heartless Allure as the focus, while the other illuminated flower branches floated throughout the air like glowing fireflies.
Then came the question: should she paint the hair silver or pale gold?
Pale gold would of course be the most true to life, but the