The Slide After the Peak

On Corsica, at a seaside resort hotel in Ajaccio, Aaron woke with Norika Fujiwara in his arms, feeling her soft curves. "So? Spending the summer vacationing by the Mediterranean Sea isn't bad, right?"

Norika Fujiwara lay on top of him and rubbed against him affectionately. "Mm-hmm, the scenery here is beautiful, and the climate's nice too. It's perfect for escaping the summer heat!"

"Haha, after all these years, I've never really taken you out on a proper vacation. This time, we can have all the fun we want." Aaron stroked the sexy woman on top of him.

A week had passed since they left Cannes, and Aaron still had no plans to return home, even though Universal's blockbuster Gladiator was about to be released.

Disney Animation's feature-length Dinosaur, which had already premiered, seemed to be receiving excellent reviews.

The script for Dinosaur had been completed as early as 1988, but the technology of the time had not been capable of meeting the film's requirements, so Disney did not begin preparations until 1994.

Later, Disney bought an abandoned Lockheed aircraft factory and assembled 350 production and technical staff. Together with two location crews filming real-world scenery across the globe, the production team for Dinosaur peaked at a total of 900 people.

Fourteen locations, including Death Valley in California, Campbell National Park in Australia, the Florida Everglades, Hawaii Island, Venezuela National Forest Park, and the Western Samoa Islands, appeared in the film.

Two years earlier, Disneyland had opened a dinosaur-themed area. Though it could not compare to Universal Studios' Jurassic Park attraction, it still drew visitors.

This time, Disney's technical display in Dinosaur also received high praise.

Houston Chronicle: "Not only does Dinosaur surpass previous works in its use of animation technology, it also attempts to give these dinosaurs 'humanity,' creating a