The Wooden Man Alley lived up to its reputation. There was indeed a whole pile of wooden men inside. Yet no one knew how Bodhidharma's disciple Huike had constructed them in the first place; every one of them was as sturdy as a third-grade divine weapon. Even Jiang Dali's fierce assaults could only be endured time and again.
Moreover, every golden-bodied monk wooden man was proficient in one Shaolin ultimate art. The seventy-two wooden men wielded seventy-two Shaolin ultimate arts, and under the strengthening Bodhidharma's power within the cave, all seventy-two of them displayed killing power at the Heavenly Being level.
Other than lacking any spiritual power, these wooden men were even more terrifying than Heavenly Being experts of the same realm in terms of pure physical destructive power.
And precisely because they possessed no primordial spirit power, the wooden men feared no primordial spirit attacks.
Furthermore, Jiang Dali's primordial spirit power was being suppressed by Bodhidharma's Buddhist power. Facing the seventy-two wooden men working together in the Arhat Formation, he was temporarily unable to forcibly break apart this group of durable wooden men using only fist and foot techniques.
Jiang Dali had initially intended to draw the Dali Fire Qilin Saber and use the divine weapon's sharpness to swiftly tear apart the Arhat Formation. Yet as he continued fighting and driving back the wooden men, he gradually realized that he was gaining a deeper understanding of the Shaolin ultimate arts they displayed. Incorporating them into his own martial arts brought him countless insights.
For instance, the wooden man using the Shaolin Torn Monk Robe Skill fought by waving its sleeves. Its mastery of sleeve techniques was ingenious and exceptionally refined. This martial art was also known as the Shaolin Iron Sleeve Skill.
Then there was the wooden man wielding