Ch. 1261Demigods Couldn't Be Killed?
Key Plot Points and Events
- Jiang Qiao discovers a wooden box in the temple, from which a pair of child-like hands emerge. These are the hands of the Inn's consciousness, which can regain its Rollback ability if reassembled.
- The Old Man reveals that he placed the hands in the box as a contingency plan. If the Inn regains its Rollback ability, the hands would be removed to delay its recovery, buying time to find a way to seal it again.
- The Old Man explains that the box is a consumable and would have been damaged if left outside the Inn. He also reveals that the Inn's restrictions on Awakened Ones will weaken after the Inn's rebirth, allowing the girl who accompanied Jiang Qiao to leave.
- The Old Man hints that the Inn will regain its Rollback ability upon rebirth, but Jiang Qiao's merged abilities won't disappear. He also warns that the Inn will eventually come for Jiang Qiao due to their formed Karma.
- Jiang Qiao asks the Old Man for his name and any instructions. The Old Man reveals that he is a ghost from an ancient era and has no name. He then asks Jiang Qiao if he knows which deity is depicted in the portrait.
Character Developments
- Jiang Qiao shows curiosity and caution when discovering the wooden box and questioning the Old Man's plans. He also expresses relief upon learning that his merged abilities won't disappear.
- The Old Man demonstrates his wisdom and foresight in planning for the Inn's potential recovery. He also shows reverence for Fate and understanding of Jiang Qiao's concerns.
Significant Themes
- Contingency planning and adaptability in the face of uncertainty.
- The power of Fate and its inevitability.
- The consequences of stealing power from a supernatural entity (Karma with the Inn).
Character Interactions
- Jiang Qiao interacts with the Old Man, questioning him about the wooden box, the Inn's restrictions, and the Old Man's intentions. The Old Man patiently explains his plans and provides information to Jiang Qiao.
- The Old Man shows respect and reverence towards the deity in the portrait, suggesting a deep connection or understanding between them.