The next morning, after Momo arrived at the Television Station, he revealed what had happened and told the entire production department that the new program had been personally requested by the big boss.
Originally, hardly anyone had volunteered to sign up, but suddenly every team was registering.
Even the children's program production team came over to ask whether they could participate too.
If that wasn't possible, producing a program focused on the living conditions of children in the shelters would also be excellent! Momo was tempted, but he did not agree.
Social issues involving children were always a sensitive point in society. If handled well, they could absolutely produce major news and outstanding results.
But they were also society's sore spot. Starting with child labor and child gangs, every report concerning children or teenagers would trigger a major collective debate in public opinion.
Sometimes, however, such reports would not bring the Television Station much benefit. Instead, they might send it straight into the eye of the storm.
After rejecting the request, Momo quickly organized an extremely elite film crew. Under Lin Qi's arrangements, they headed to North No. 1 Shelter to record the program.
Three principal reporters went this time, including one who had worked as a war correspondent and was extremely famous.
Momo had also spoken with them privately, mainly discussing what aspects they should focus their interviews on.
These Ace Reporters were not doing this kind of work for the first time. Of course, they understood what Momo meant, both explicitly and implicitly—a biased program!
The group took a special train rapidly toward North No. 1 Shelter. Throughout the journey, they did not feel cold at all! Once the film crew entered the dedicated train platform at Bu Peien's railway station, the cameras were switched on completely.
Unlike