"I heard Miss Coppola's next film is an action movie, a genre you've never tackled before. I'm curious: when everyone wants to typecast you in teen comedies, why do you want to break out and take on the challenge of an action film?"
His question caused an uproar among those nearby.
Irene's new project had indeed become a hot topic. No one had expected her to make such a huge leap, and soon the people around them were buzzing with discussion.
"Actually, it was watching your films that made me even more certain I couldn't stay in my comfort zone. You've pushed beyond the boundaries of technology, genre, and imagination time and time again. It made me realize that a true director shouldn't be defined by genre—they should define it."
Her words were both a tribute to Cameron and the perfect explanation for her decision to direct Stealing the Heavens and Changing the Day. She wasn't running away from teen comedies; she was actively expanding the horizons of her work.
Cameron's interest was clearly piqued. She was so young, yet already had such insight. His playful expression faded a little, and he was just about to discuss the practicalities of shooting an action film with Irene when the host's booming voice rang out across the hall.
"Good evening, distinguished guests! Welcome to 20th Century Fox's annual Christmas party!"
The host's voice rang through the sound system, drawing everyone's attention. He looked back on Fox's remarkable achievements over the past year and thanked every collaborator in attendance. After an enthusiastic opening speech, he announced in a soaring voice:
"Now, let's give a warm round of applause to our special guest performer tonight—Britney Spears!"
As soon as he finished speaking, the opening notes of the infectious "...Baby One More Time," a song