Ch. 21Earthquake Catfish
Key Plot Points and Events
- Akihi Yu is called to a small conference room where two policewomen, Fuji Seiko and Kawai Mai, are waiting. They question him about Yamamoto Yagi's disappearance.
- Akihi Yu recounts his last encounter with Yamamoto in the school's third-floor boys' restroom, mentioning the bullying he faced due to family reasons.
- An earthquake occurs, causing chaos on the roads. A massive, fish-like monster emerges from the ruins, crushing buildings. The police car carrying Fuji Seiko and Kawai Mai crashes, and Kawai Mai is injured.
- Fuji Seiko tries to engage the monster with her handgun, but it's ineffective. A natural gas pipeline leaks, and a giant flaming skull appears. Fuji Seiko is about to give up when a white mist approaches, and a figure walks out of it.
Character Developments
- Akihi Yu remains calm and composed during the police interrogation, showing no resentment or anger about the bullying he faced. He expresses concern for Yamamoto's well-being.
- Fuji Seiko, the mature policewoman, shows concern for her junior, Kawai Mai, and tries to protect her. She's brave and determined, even when faced with the monstrous creatures.
- Kawai Mai, the young policewoman, is inexperienced and naive, expressing envy for students attending Imperial Sakura School. She's injured during the earthquake.
Significant Themes
- The powerlessness of humans against supernatural forces, as seen in the ineffective police response and Fuji Seiko's futile attempts to fight the monsters.
- The sudden and unpredictable nature of disasters, represented by the earthquake and the emergence of the monsters.
Character Interactions
- Akihi Yu interacts with the police, providing information about Yamamoto's disappearance. He shows no signs of guilt or deceit.
- Fuji Seiko and Kawai Mai work together, with Fuji Seiko taking the lead. Their dynamic changes when Kawai Mai is injured, and Fuji Seiko becomes more protective.
- The white mist and the figure walking out of it hint at a potential new character or force entering the scene.