With the emergence of Musical Composition: Unfinished Elegy, the Crystal Wall Subsystem, which had always maintained an attitude of "blocking," became activated at this moment. It grew extremely proactive, wanting to draw the musical composition into its own world possibility.
The world itself possessed no personality. It evolved from the mud, and would eventually return to it.
Even its crucial destiny had only developed a rudimentary personality after Naimus arrived.
Thus, the fact that the world possibility was being so proactive proved one thing: Musical Composition: Unfinished Elegy was an enormous possibility, a massive supplement even to a world possibility.
It could also be seen from this Land of Ends that even world possibilities had the potential to reach an end.
Once a possibility vanished, the world possibility would also enter its end and ultimately dissipate completely.
And once it dissipated, it would return to the mire.
As all sorts of world possibilities perished, this world would completely return to mud, completing a cycle of creation and destruction within the multiverse.
Originally, these people on this side of the Land of Ends, as well as all the things within it, severely lacked vitality.
The power of the end within them had to be controlled as well; it could not be allowed to grow unchecked. These people were unquestionably negative assets.
But things were different now. Naimus had brought them through an asset restructuring, reconstructing their existence in the form of a musical composition.
They had transformed from negative assets into net assets.
Furthermore, as a new mode of existence, once this form of musical composition was accepted, the plane seemingly could inherit this method in the future as well.
Using the end to perform an elegy, thereby preserving new hope.
Every scrap of hope was a resource that allowed a