On December 3rd, in just one day, Long Jin finished the adapted version of BaWangChaJi.
Looking at the script document the other party had sent over, Luo Ye opened it and began reading. He found that the adapted story was genuinely well written, even remarkably creative.
His original suggestion had been to have a modern person transmigrate into Xiang Yu, or into Consort Yu.
But Long Jin had written about a modern person traveling back to ancient times and witnessing the story between Xiang Yu and Consort Yu.
An Zi would play the modern-day traveler, Luo Ye would play Xiang Yu, Su Baizhou would play Consort Yu, and Shen Qiao would play Consort Yu's older brother. There would also be many other actors; it could be called a major Hanfu Club production.
As everyone knew, when people watched a story, they developed a sense of immersion. They usually placed themselves in the protagonist's perspective, as if they had personally lived through the story.
But if An Zi, as the "traveler," was the protagonist, then everyone would step into the perspective of her, the "witness."
Personally experiencing something and completely witnessing something felt entirely different.
For an ancient love story like this, the immersion of witnessing far surpassed that of experiencing it, because they themselves were witnesses. Through An Zi's perspective, they simply felt it more deeply.
Originally, only An Zi "traveled through time," but by immersing themselves in her perspective, everyone gained the feeling of having "traveled" to ancient times.
An Zi traveled to the moment Consort Yu and Xiang Yu first met, personally witnessing their love story. At the final moment, Consort Yu used Xiang Yu's treasured sword to die for love. An Zi tried to stop her, but the helplessness of being unable to do anything...
This witness