Ch. 161Gao Ming in the Mirror
Plot points and events
- Inside Health Classroom, the Ji Zhe reflected in the mirror begins painting the Health Teacher with bloodlines. The more he paints, the more her body deteriorates, revealing that she is stitched together from multiple figures or souls.
- Mirror-Ji Zhe starts painting the students too. Classmates lose control of their limbs and collapse, and the classroom erupts into panic and violence.
- Zhuo Jun is blamed for the attack, though he insists he has nothing to do with it. He tries to stop Ji Zhe by knocking him away from the mirror, but classmates mistake this for an attempt to silence him and rush to intervene.
- Zhuo Jun calls for backup. Bai Xiao approaches the classroom door but only pretends to try to open it, leaving the students trapped.
- Gao Ming quietly retrieves the Posthumous Photograph. Xia Yang urges him to turn all fifty classmates into Posthumous Photographs, which would bind their voices and lives to Gao Ming. Gao Ming rejects the idea, saying the “fifty-first classmate” would prevent it.
- The chapter ends with Gao Ming seeing his wounded, one-eyed reflection standing behind Ji Zhe—suggesting the mirror’s danger is only beginning.
Character developments and interactions
- Ji Zhe: His mirrored self becomes an ecstatic, seemingly supernatural painter, attacking the teacher and then the class. His real intentions and degree of control remain unclear.
- Gao Ming: Stays quiet amid the chaos, acts strategically by reclaiming the photograph, and resists Xia Yang’s tempting but coercive plan.
- Zhuo Jun: Loses control of the class despite his strength and combat ability. His classmates’ suspicion—and his own distrust of them—leaves him increasingly isolated.
- Bai Xiao: Appears to ignore his duty to get help, hinting at divided loyalties or deliberate inaction.
- Classmates: Fear turns quickly into accusation and mob behavior. Some attack Zhuo Jun; others seem to be concealing intentions of their own.
- Xia Yang: Tries to persuade Gao Ming to consolidate the class’s souls and identities under his control.
Significant themes
- Control and identity: The mirror’s paintings seem to expose or reshape the souls and wills that make up a person.
- Fear and mistrust: The students turn on one another as the crisis intensifies, making the class dangerous even apart from the supernatural threat.
- Power and coercion: Xia Yang’s proposed solution would preserve the students only by binding them to Gao Ming, raising questions about whether survival justifies control.
- The unstable boundary between self and reflection: Gao Ming’s injured reflection signals that the mirror may reveal, reproduce, or threaten more than appearances.