, was included in the handbook's "Young Innovators' Totems" section. IV. A grassland dialogue among global civilizations: letting patterns "light up the earth." To bring grassland totems into deeper exchange with civilizations around the world, the Vanguard Team helped the tribe hold the "Maasai Mara Grassland Pattern Festival." On the day of the festival, Red Earth Square on the grassland bustled with activity: the youngsters wore outfits adapted from the "Grassland Survival Tapestry" and performed the "Grassland Courage Fist" while moving through the "Grassland Migration Step"; Soka led everyone in Angkor's "Apsara dance steps," and dance steps from different civilizations intertwined on the grassland. On the display stands, the Maasai "Survival Tapestry" stood alongside the Congo's "Vine Tapestry," the Maya "Astronomical Rubbing Disk," and Rome's "Civilization Pottery Shard"; the "Terraced-Field Sun Pattern" tapestry brought by Kino, an Inca boy, formed a "symbiotic resonance between mountains and grasslands" with the Maasai "Ox-Head Pattern." Global Patterns Service Stations connected over a satellite network to display their respective "survival patterns": the Xiangxi Heritage Learning Station sent a video combining the "Bamboo Grove Fist" with bamboo patterns, while the Florence Service Station showcased the "Mural Silk Scarf" and textile techniques, carrying the idea of "living in harmony with nature" across mountains and seas. Before they left Maasai Mara, Oliya gave Muhammad a calfskin woven with the "Ox-Head Pattern" and the paths of the "Grassland Migration Step." "Woven into this hide is the soul of the grassland, as well as the warmth you brought from around the world. Whenever you see it in the future, it will be like seeing the grasslands of Maasai Mara and the heartfelt feelings of us Maasai." That winter solstice, Muhammad returned to Hangzhou with the calfskin, the "Grassland AR Handbook," and the Vanguard Team members. They gently spread the calfskin beside the "Silk Road Heritage Stele" in front of Chen Jialuo's grave, where, together with keepsakes such as the Congolese Vine Tapestry, the Roman bronze medal, and the Maya jade pendant, it formed a "map of survival across global civilizations." Di Yun, Granny Hua, and Wan Yunxi gathered nearby, watching the video of the discovery of the "New Water-Grass Pattern" that Karu had uploaded to the "Global Pattern Digital Platform," their eyes filled with emotion. "Senior Lin, Senior Chen," Muhammad said softly, "from the grassland totems of Maasai Mara to the astronomical patterns of the Maya and the masonry patterns of Rome, what we pass down has never been isolated cultural symbols, but humanity's shared love and protection of nature, the land, and life. Now, through the hands of these youngsters, that love is being passed on across time and space, on the grasslands, beneath the stars, and in ancient cities." Winter snow from West Lake fell upon the calfskin, yet could not cover the vitality of the grassland. In the distance, Leifeng Pagoda stood in the snow like a silent watcher over the grassland. Muhammad knew that the journey of the "Young Heritage Vanguard Team" would continue-their next stop might be Europe's Alps, or perhaps the Inca ruins of the Americas. But wherever they went, the moral principles of "A Deadly Secret" and the warmth of patterns from around the world would, like the grasslands of Maasai Mara, flourish without end, forever lighting the path of humanity's civilizational heritage and continuing a new cultural chapter belonging to all humankind that would never draw to a close. A new chapter of A Deadly Secret: the rebirth of snow mountain patterns in the Alps. Just after the spring equinox, the convoy of the "Young Heritage Vanguard Team" drove along a winding mountain road into Europe's Alps-Heinz, an elder of an Austrian Tyrolean tribe, had invited them once again, hoping they could further revitalize the tribe's "Snow Mountain Pastoral Pattern" and "aurora pattern." Although the Vanguard Team had previously designed the "Snow Mountain Pattern Festival," as the global pattern heritage network developed, the elder hoped they could uncover the deeper wisdom within the patterns of "humans living in harmony with nature and the snowy mountains," so that the younger generation would not only learn the "Snowline Step," but also understand the Tyroleans' reverence for and protection of the snowy mountains.
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