Muhammad brought Soka, Karen, Marco, Lucio, Kam, Diego, Karu, and the other youngsters back to the Tyrolean tribal village of wooden houses. Standing before a pasture at the foot of the snowy mountains, Elder Heinz held a faded wool scarf and said, "The 'Cattle and Sheep Migration Pattern' on this scarf records the routes we take between mountain pastures as the seasons change; the 'Aurora Pattern' expresses our ancestors' prayers to the Snow Mountain Spirits. But children today don't even know how to assess avalanche risks using the 'Snow Accumulation Pattern' anymore." Karu rubbed the Maasai Calfskin Totem he carried with him, remembering his experience of using the "Migration Route Pattern" to find water and pasture on the grasslands. "Perhaps we could turn the mountain patterns into 'mountain survival lessons'? Just as we use grassland totems to find water, we could let everyone understand the Tyroleans' wisdom about life through hands-on practice in the snowy mountains." The suggestion made Heinz's eyes light up, and the "Alpine Snow Mountain Pattern Revitalization Project" officially began through the blending of experiences from different civilizations: I. Symbiosis and resonance between martial arts and snowy mountains: letting patterns "protect the snowy mountains." Lin Xiaowu gazed at the "Snow Accumulation Pattern"-the lines of varying darkness in the pattern corresponded to different depths of snow in the mountains, with lighter lines representing safe areas and darker lines warning of avalanche risks. This aligned perfectly with the principle of "assessing the snow to choose one's steps" in "Treading Snow Without a Trace," the lightness technique from "A Deadly Secret." Combining it with the Tyroleans' traditional skiing footwork, he designed the "Snow Mountain Safety Steps": guided by the "Snow Accumulation Pattern," the youngsters had to walk through areas marked by lighter lines, detouring along the curved paths of the "Aurora Pattern" whenever they encountered darker lines, and adjusting their breathing according to the "Heart-Cleansing Formula" after every stretch of walking to maintain their balance. Heinz added from the side, "Our ancestors drew the 'Snow Accumulation Pattern' to tell us, 'Follow the patterns, and the snowy mountains will protect us.' Every step of this footwork follows our ancestors' experience." Karen, meanwhile, combined Great Zimbabwe's "Rock-Firm Fist" with the "Cattle and Sheep Migration Pattern" to create the "Snow Mountain Guardian Fist." He used a branch to draw the "Cattle and Sheep Migration Pattern" in the snow: the lines of the cattle's and sheep's horns corresponded to the direction of the punches, while the outlines of their bodies represented the range of defense. Punches had to be as steadfast as guarding cattle and sheep, while withdrawing the fists required the agility of avoiding accumulated snow. Fourteen-year-old Tyrolean youngster Lina (who shared a name with the Lina who had joined earlier and was a new participant from the tribe) had originally thought traditional patterns were "useless," but while practicing the "Snow Mountain Guardian Fist," she successfully pulled a lamb out of a shallow snow pit and shouted excitedly, "So these patterns really can protect cattle and sheep! They're much more useful than games on a phone!" II. Modern expressions of patterns and craftsmanship: making patterns "tangible and perceptible." Soka and Marco brought innovations in craftsmanship across civilizations: they mixed red earth from the Maasai grasslands with natural mineral pigments from the Alps to make a "Snow Mountain Pattern Rubbing Kit"-one side was carved with the "Cattle and Sheep Migration Pattern" and the "Snow Accumulation Pattern," while the other was carved with the Maasai "Ox-Head Pattern" and the Maya "Sun Pattern." The youngsters could use the rubbing kit to transfer the patterns onto woolen fabric, then decorate the edges with traditional Tyrolean embroidery to make a "Snow Mountain Survival Scarf." While making her rubbings, Lina deliberately overlapped the "Cattle and Sheep Migration Pattern" with the Maasai "Ox-Head Pattern." "The cattle and sheep in the Alps need snowy mountains, and those of the Maasai need grasslands. So different civilizations have all been recording the principle of 'humans and animals living in symbiosis'!" These scarves were later made into "Snow Mountain Survival Kits," which included rubbing kits, simple mountain maps, and explanatory booklets in the tribe's dialect. They were distributed to surrounding villages so that children could learn about the patterns while herding. III. Snowy mountain narratives through digital technology:
Before you continue