Even Jiang Yang had to proceed cautiously when forging a Divine Artifact.
In his conception, this bell was not forged entirely for himself, but for the Demon Race.
In the future, when his Golden Crow body reached the end of its lifespan and passed away, this great bell would safeguard the Demon Race's order in his stead, serving as his replacement.
He took most of the extraordinary metals from the stores left behind by the Devil Clan to forge the bell's body, or rather, its embryo.
With all those extraordinary metals mixed together, the bell's embryo ultimately took on a brass color.
Then Jiang Yang gathered the essence of ice and snow from the Far North, the essence of seventh-stem metal from the far west, the essence of green wood from the far east, the breath of crimson fire from the far south, and the essence of deep earth from the central lands to draw patterns on the bell.
The sun, moon, and stars, mountains, rivers, grasses, and trees, flowers, birds, fish, and insects were all depicted upon it.
Afterward, Jiang Yang began tracing formations. Although he was not as familiar with the art of formations as Qing Fengxi and Li Zhe, he was a God King, after all, and his skill could hardly be poor.
Tracing the formations was far more difficult than he had imagined. Even with Jiang Yang's undivided attention, it took ten years.
Now, besides the features of the Great Wilderness world-the sun, moon, and stars, mountains, rivers, grasses, and trees, flowers, birds, fish, and insects-the great bell's surface was encircled by black-and-gold stripes, giving it an inexplicable air of nobility.
At this stage, the bell already qualified as a rare superweapon, but Jiang Yang was still not satisfied.
He believed that a true Divine Artifact,