The Heaven-Shrouding Sun-Obscuring Array was set up very quickly, taking less than half a year to complete.
From space, Venus resembles a fairy dressed in a seamless celestial garment, with the outer garment formed by the grand formation resembling a thin veil, layer upon layer, enveloping the entire Venus.
Fueled by the solar wind, this sheer outer garment swayed in the breeze, inspiring endless imagination.
After setting up the grand formation, Li Xingkong passed through layers of thin gauze and entered the interior of Venus.
The turmoil within Venus has gradually subsided over the past six months, with only a small portion of the area still experiencing occasional severe geological disasters, while most areas have been largely undisturbed.
After so many days of continuous rain, many lakes have appeared on the surface of Venus. These lakes, large and small, are like mirrors, adorning the entire surface of Venus.
Through the filtering of multiple layers of arrays, the sunlight now shining into the interior of Venus is much weaker, and even near the surface of Venus, the sunlight is somewhat dim.
The thick atmosphere scatters a large amount of sunlight energy, and with the filtering effect of the array, the surface of Venus is like dusk even in broad daylight, as sunlight cannot penetrate.
Of course, this situation will soon change.
Li Xingkong landed on the surface of Venus, specifically to handle this final step—modifying Venus's atmospheric structure.
His Divine Sense spread outwards along the surface of Venus, quickly enveloping the entire Venus.
Then, Li Xingkong began to manipulate his Divine Sense, trying out the new ability he had gained after reaching the Golden Core Stage —forcibly breaking chemical bonds.
Li Xingkong's Divine Sense covered the entire atmosphere of Venus, and then, under his Divine Sense, the Divine Sense acted like tiny hands at the microscopic level, pulling at the various gases that filled the entire atmosphere of Venus.
Like children playing tug-of-war, it forcibly separates various gases.
0-cO,
O -c-0,
O -c- O,
The large amount of carbon dioxide was like a couple forcibly separated; even though they were tied together by the red thread of chemical bonds, it was still ruthlessly torn apart by Li Xingkong's Divine Sense.
If gases had consciousness, they would probably be hurling vicious insults at Li Xingkong right now.
He's not only dismantling things, he's forcibly reassembling them.
Forced unions are never sweet, but oxygen, when forced together, doesn't care about such things.
Since molecules are inherently inanimate, don't blame Li Xingkong for his unfounded matchmaking attempts.
After two months of tireless work, the entire atmospheric structure of Venus was completely transformed. While it may not be exactly the same as Earth Star's atmospheric structure, it is about 80-90% similar.
If you randomly dropped Earth Star People onto Venus, aside from needing to adapt to the gravity, they would have virtually no survival problems.
However, it is clearly not enough to rely solely on Li Xingkong to maintain such an atmospheric structure. To maintain the atmospheric structure in the long term, a stable ecological environment needs to be constructed.
Therefore, the subsequent greening process of Venus needs to be carried out gradually.
Planting trees and creating forests is a favorite activity of the Divine Land People.
After the atmospheric structure was adjusted, Li Xingkong began to analyze the current geological composition of Venus, preparing to see what the differences were between the current surface structure of Venus and that of Earth Star.
However, just as Li Xingkong was scanning the ground beneath Venus with his Divine Sense, he discovered that there seemed to be something inside Venus.
It's not naturally formed; this thing is definitely man-made.
Under the scan of Divine Sense, a space deep underground on Venus was found to be entirely man-made, with numerous traces of Divine Sense clearly visible.
"Interesting. It seems there was a civilization on Venus before."
Li Xingkong swiftly flew above the space he had detected, and with a flash of sword light, a crack as wide as a person appeared beneath his feet.
He leaped directly into the crack, falling for over ten kilometers before finally arriving at this so-called underground space.
The space is vast, and its walls are made of a high-strength alloy, forcibly constructing a huge classical building deep underground.
Li Xingkong snapped his fingers, and a bright light condensed from his fingertips, then rose to the top of the cave, shining brightly like the sun.
Li Xingkong then began to observe his surroundings.
The four alloy walls are covered with various murals, and they are not the abstract style of ancient people, but a very realistic style, so realistic that Li Xingkong thought they were printed photos.
However, the figures in these murals are not human, but rather creatures with human bodies and snake tails. These creatures with human bodies and snake tails are ubiquitous in many murals.
This is clearly the image of an alien civilization that once existed on Venus.
Li Xingkong understood most of the content depicted in the murals; after all, the realistic style of the paintings made them incomprehensible.
The mural tells several short stories, basically recounting the development of the Snake-People Race.
The first image shows a large number of primitive snake people intertwined together, as if they were huddled together. In the middle of them, above countless overlapping snake tails, is a great sun. This image seems to be telling the story of the origin of the Snake-People Race.
The second image depicts a galaxy that is remarkably similar to our Solar System.
The reason it is said to be extremely similar is that there is an extra planet orbiting the sun in this picture, and according to the picture, the origin of the Snake-People Race is on this extra planet.
The surrounding planets also feature various different patterns.
Next to Venus is a sun, and a group of little people are surrounding the sun and looking at it.
Next to Earth Star is a dinosaur, a classic Brachiosaurus.
Next to Mars, many tall buildings were drawn, resembling a city.
This picture seems to depict the flourishing development of the snake-people civilization, which possesses several planets and resembles a civilization within a galaxy.
Venus is the center of technology, Earth Star is a dinosaur ranch, Mars is a residential area, and that non-existent planet is the capital of the Snake-People Race.
Li Xingkong was still somewhat surprised when he saw this. He knew that there were dinosaurs on Earth Star, but he really didn't know that these things were raised by the Snake-People Race, and that the entire planet Earth Star was used for agriculture.
The situation took a sharp turn for the worse in the third picture.
It's the same galaxy map, but next to the Snake-People Race's home planet, there's a huge spaceship, and a thick white beam of light shoots out from the massive cannon hanging below the spaceship, extending all the way to the Snake-People Race's home planet.
The Snake-People Race's home planet is depicted as fragmented in this image.
"So, it turns out another civilization wiped out the planet and its inhabitants."
Li Xingkong understood. The Snake-People Race were probably wiped out by other civilizations, and the few remaining snake-people on Venus painted these murals to leave some trace.
At the same time, he also knew where the Snake-People Race's home planet had gone.
The formation of the Kuiper Belt is not without reason.