After the magical traps were undone with Parseltongue, the mansion that ought to be called "Voldemort Manor" revealed the former grandeur of "Riddle House."
The rotten traces on the picture frames in the corridor vanished, but the paintings mounted inside were remarkably uniform and monotonous—all of them depicted the Dark Mark.
Dumbledore noticed this as well. His gaze swept over the frames displaying the Dark Mark as he said, "It's clear he was very pleased with the Dark Mark he created."
Vizet continued waving his Wand to probe their surroundings, and magical fluctuations rippled all the way to the end of the corridor.
After this round of probing, he could not help laughing. "Headmaster Dumbledore, the magical traps Voldemort set up here are more interesting than the ones he set up in the cave."
Dumbledore also used his Wand to examine the surroundings. Hearing Vizet say this, he smiled and nodded. "I have the same feeling."
"I think this happened because the cave was built later. The Path of Magic he carried out determined that he would set up trials like those."
"But they'd also be much harder to break," Vizet said. "For magical traps like the ones set up here, even without Parseltongue as the 'key,' they wouldn't be that difficult to crack."
When designing the protective trials in the cave, Voldemort's core idea had been "weakening the self," which fit perfectly with the Path of Magic he followed.
To carry out the Path of Magic of "Solipsism," when constructing protective trials, he would inevitably begin from his own greatest fear.
To him, that "greatest fear" was death, and damage to the body that carried the soul.
Because he had already achieved immortality on the level of the soul through Horcruxes, what he needed to worry about was necessarily