Family Dramas and a Filthy World

How many timelines did the End Black world have?

Even Li Jiayu in his Creator era probably could not have answered that question.

The one where Li Jiayu became the Creator counted as one. The peaceful-era Earth, where Li Jiayu and Ran Hongxia finally became a couple, counted as another. The one where Ran Hongxia traveled back to the early apocalypse and successfully raised Li Wuxin was yet another!

Were there more?

Yes!

When Li Jiayu was murdered in his previous life, he summoned the "Goddess of Light" from within a tree hollow. But who knew that the "Goddess of Light" was actually a female version of Li Jiayu?

In that timeline, she rescued Xiao Wanqing just before she was about to marry Yang An. She also gave Yang An, who considered himself a "Child of Destiny," a vicious beating. After settling her enemy, she even stayed with Xiao Wanqing for a while.

Li Jiayu had descendants. Among the Epic Gods alone, there was one son and one daughter. The rather absurd part was that neither of them knew they actually shared the same father.

The son even fell in love with the daughter!

Even Epic Gods could freely jump between timelines. The End Black world's timelines had long since become a complete mess. Even if the Creator personally sorted them out, his scalp would probably go numb.

In Kurumi's eyes, whether it was the early or late stages of End Black, it was one enormous tragicomic family drama.

The major badass figures were, in fact, all "family."

Yang An could perhaps be excluded.

Li Jiayu was the protagonist of the Mohei Plane, while Yang An was a Child of Fortune.

Nothing wrong with that. Even Kurumi could not find a flaw in it.

Of course, "fortune" was not the