Grindelwald's Exclusive Transfiguration

The entire Europe Wizarding World was somewhat agitated due to recent events, but as time passed, even the most oblivious people began to realize what was happening.

The Wizarding United Guard was previously considered "unrealistic" by most people, is actually about to be established.

Many established wizards have come forward to support this new organization, and some folk wizarding organizations have also expressed their expectations for it in various ways, with the calls growing louder and louder.

Gradually, official personnel began to appear in newspaper reports.

Solidette Parkes, head of the French Ministry of Magic's Flying Broomstick Management and Control Bureau, has publicly stated that the establishment of the Wizarding United Guard will greatly benefit the future development of the entire Wizarding World.

Matthew Peck, the newly appointed head of the Committee for the Disposal of Dangerous Creatures at the British Ministry of Magic, also expressed his expectations for this new organization in an interview.

The International Confederation of Wizards expressed an ambiguous attitude toward the soon-to-be-established international organization.

The International Confederation of Wizards functions similarly to the United Nations, but it only has political influence and no subordinate power. It is above the national Ministry of Magic, and its main task is to hold national agencies accountable for failing to perfectly implement the Statute of Secrecy.

Interestingly, the International Confederation of Wizards holds national Ministry of Magic accountable through so-called "Disciplinary Warning," and after that... nothing more happens...

Regarding the Wizarding United Guard, a member of the Confederation privately revealed to a reporter that members of the Federation seemed to be pushing for the establishment of this new organization.

The reason is simple: they want to seize control of this emerging force and allow the International Confederation of Wizards to exercise its due law enforcement powers.

Amidst the turmoil and chaos from all walks of life, Sean is clearing his mind of distractions and immersing himself in his studies.

He completed the task Grindelwald had given him at the start of the Academic Exchange: he had learned all the spells on the parchment.

By this time, the exchange students from Hogwarts had been in Newmontgard for nearly four months, and in this short period of time, the students had adapted to the relatively high-pressure learning environment of Newmontgard.

The most obvious result is that almost every student's practical skills have been greatly improved.

Sean, needless to say, had already run out of opponents in the last Duelling Training Class.

His sparring matches against his peers were a complete rout, offering no real training effect, while the older students were worried about losing face— Sean's record had been too dazzling before.

From first to seventh year, from Hogwarts to Newmontgard, Sean challenged almost everyone. His tricky spells and unpredictable plans caused his opponents a lot of trouble.

With Sean deliberately avoiding using Obscurus and Magical Creatures, many seventh and sixth graders won, but after the game, they were often covered in dust and grime. The annoying kid on the other side would surrender as soon as he realized something was wrong. And what was there to be proud of for upperclassmen to beat a second-year student?

What's most frustrating is that as long as you beat that kid Wallerup, he'll definitely come knocking on your door again in the next class.

"Senior, I benefited greatly from the last duel. Please forgive my overestimation of my abilities—how about we have another one?"

This second-year student always puts on a very polite demeanor, but once he gets to the dueling stage, he pulls off all sorts of insidious maneuvers.

What's even more infuriating and frustrating is that the opponent's progress is too fast... A spell that used to defeat the opponent won't work the second time, and might even be stolen and used on oneself.

And even if you win a second time, looking utterly defeated, that kid who immediately surrenders when things aren't looking good and protects himself so well will prepare for a third challenge...

Under these circumstances, Sean became a scourge in the eyes of the older students...

Unfortunately, Sean could only sigh with regret as no one paid any attention to him, and then he went to be a sparring partner for the members of Golden Dawn.

In this way, he gradually mastered the spells that Grindelwald had taught him in actual combat, and the other party also readily fulfilled his promise.

A powerful Transfiguration unique to Gellert Grindelwald.

"In which year does Hogwarts start teaching Human Transfiguration?" Grindelwald asked in the office.

He was dressed in a brown-red Wizard Robes today, without any teaching materials, and simply smiled at Sean across from him.

Sean tilted his head and recalled, "I remember it started in sixth grade, when we had to pass the Ordinary Wizarding Level. Professor McGonagall only accepted students who got E and O grades on the exams."

Grindelwald nodded thoughtfully. "Professor McGonagall is quite tolerant..."

In Newmontgard, only those who receive an O rating can continue their advanced studies in Transfiguration.

"Have you learned it to that level on your own?" Grindelwald continued to ask.

Sean shook his head and replied, "No, Professor McGonagall said it's very dangerous, and the Ministry of Magic stipulates that you must pass the Ordinary Wizarding Level to continue your studies. Besides, I'm not very proficient with the Disapparition Charm."

Grindelwald waved his hand dismissively. "Don't worry about the Ministry of Magic's rules. Besides, you've already mastered fifth-year material in your second year—and the way you talk is just as annoying as Albus."

As he spoke, he mimicked Dumbledore's tone, shaking his head seriously. "Gellert, Transfiguration is really too difficult—" Then, after saying that, he demonstrated his Transfiguration in front of me, turning the rubble all over the ground into a Giant using Advanced Combination Transfiguration. He had just graduated then—

Sean smiled as he listened to the other person speak.

"Alright, let's get back to the main topic," Grindelwald said with a few jokes, shifting his posture. "How much do you know about Human Transfiguration?"

Sean hesitated for a moment before slowly replying, "Not many. I only learned about it from upper-grade textbooks, and even textbooks rarely mention this kind of Transfiguration. I heard from upper-grade students that the Human Transfiguration they learn mostly involve turning one's body into an inanimate object, such as a shield. But it's rarely used in actual combat. After all, if the shield is hit hard and you transform back, the corresponding body will also be injured. Most students think it's not very practical."

Grindelwald said noncommittally, "Human Transfiguration is meant to be used for improvisation. For example, if you don't have time to dodge a spell and can't even cast a defensive spell, Human Transfiguration is a way to greatly reduce the damage you take. Of course, I'm just telling you about the scenarios in which this kind of Transfiguration method is used. Generally speaking, people who need to use this kind of trick are my opponents."

After saying that, he took out his signature branch wand and waved it. Then, one of his hands became smooth and white, just like Sean's hand.

"In fact, my Transfiguration is also derived from Human Transfiguration— " He brought the Transfiguration hand close to Sean's side, "In all the years of wizarding development, Human Transfiguration is the category with the highest number of accidents. Many monsters and Magical Creatures are caused by failed Transfiguration, which makes many people keep their distance from Human Transfiguration and dare not study it in depth."

"And that is indeed the case. Historically, enthusiasts who studied Human Transfiguration left behind almost no useful information, except for a mess for posterity."

Sean glanced at the other man's arm and asked curiously, "Sir, how do you avoid this risk?"

Grindelwald pointed to his head. "Do you think I've summarized the failures of those who came before me and come up with a safe way to practice and a completely new method of Transfiguration?"

"Uh, isn't that right?" Sean, somewhat puzzled.

Grindelwald leaned back in his chair and burst into laughter. "Sean, if Dumbledore stood in front of you and humbly told you that his achievements were entirely due to the explorations of those who came before him, would you believe it?"

"That's definitely not just based on the experience of those who came before." Sean shook his head.

"That's right. The experience of our predecessors is certainly valuable, but wizards who can take a new step must have something in common," Grindelwald blinked. "They are all once-in-a-century geniuses."

That's the truth... Sean nodded in agreement.

Grindelwald waved his wand casually, his hand constantly changing shape—slender, thick, thin—smoothly switching between various forms without any hindrance.

"Take me for example. My talent has destined me to stand at the pinnacle of the wizarding world," Grindelwald said with a serious expression. "Talent is innate. While others are struggling to figure out how to cast a spell accurately and quickly, I've already begun exploring ways to improve it. And, I even have a cheat code!"

A cheating scheme? Sean looked over in confusion.

Grindelwald smiled at him, "I am the Seer, my Mr. Wallop."

Huh? Seer can be used like that? Sean's eyes widened in surprise.

"Seer do have limitations. Without paying a huge price, the future you see is vague and difficult to interpret. However—some things can be understood with just one glance."

"For example, if I am going to conduct an extremely dangerous Human Transfiguration experiment today, I will take a look behind me. I don't need a specific picture. If I see killing and disorder in my field of vision, then it proves that my approach is wrong and I will become a monster."

Sean opened his mouth slightly; he finally realized what was happening.

Seer can be used like this? In his mind, Seer usually foresee major future events or the trajectory of an entire era—in short, something very lofty and mysterious. Using it to predict the success or failure of his own magical experiments sounds strange, but it actually makes a lot of sense...

Grindelwald showed none of the air of a superior being. He laughed smugly, "Those who possess such abilities always use them with extreme caution. To me, it's a joke. What's the essential difference between Seer and Metamorphmagus or any other talent? Just treat it as a wizard's most basic tool. Besides, my talent is good enough. Once I eliminate some wrong answers in the early stages, I can take a solid first step in the category of Human Transfiguration, and the road ahead will be much easier."

Completely disregarding rules and never sticking to one place, that's Grindelwald... Sean sighed to himself.

Grindelwald stood up and smiled. "Alright, I'm just telling you the truth about how talented I really am. When you talk about Gellert Grindelwald to others after I die, remember to speak of it with reverence."

Same recipe, same taste... Sean chuckled and nodded, "I will, sir."

Grindelwald walked to the center of the room with satisfaction and waved his hand to summon a mirror. "Now, let's begin the real teaching. Sean, come and stand in line."

Sean walked over and stood in front of the huge full-length mirror, which was so large that it encompassed both of their figures.

"Look at me," Grindelwald said, his hands behind his back, standing ramrod straight in the mirror. "What do you see?"

Sean looked in the mirror. In it, he saw himself standing next to Grindelwald, who was a head taller than him. His silver hair and short beard accentuated his extremely masculine face, and even the Years had not taken away his domineering aura.

"Sir, I see... You look very relaxed, and your overall appearance is very charming. You must have been very handsome when you were younger, right?"

"Do I need you to flatter me? Isn't that obvious? Stop talking nonsense and keep going."

"Hmm... you have some unshaven beard on the side of your cheek."

Grindelwald raised an eyebrow. "Haven't you ever been beaten by the First Generation Dark Lord?"

"Sorry..."

After making a witty remark, Sean began to observe seriously, and then, as Grindelwald had requested, described his entire appearance in great detail.

"That's about right. You've observed quite carefully," Grindelwald said. "I had you observe so that you would understand that my Transfiguration and Metamorphmagus are not the same concept."

"Why do you say that?" Sean asked, puzzled.

He originally thought that Grindelwald's ability to freely Transfiguration was similar to the Metamorphmagus, except that he had learned and strengthened this innate ability through hard work.

Grindelwald explained, "The Metamorphmagus originates from their bloodline. This ability allows you to freely change the shape of your face, but it doesn't use Transfiguration. Instead, it uses a special magic within the bloodline. They don't need to learn it; they only need years to master their abilities. My Transfiguration originates from Human Transfiguration. It's essentially a branch of Transfiguration. What changes appearance is Transfiguration magic, not bloodline magic."

After Sean had digested it for a while, he continued, "I asked you to observe so that you would understand that my Transfiguration requires you to consider the object of the Transfiguration as a whole. You cannot ignore any aspect during the Transfiguration, otherwise the Transfiguration will inevitably fail."

"Let's start with the most basic training," Grindelwald said, waving his wand and transforming into a Sean had never seen before. "You have one minute to observe this person closely and tell me all his physical characteristics."